Ian begins a relationship with Drew's daughter, who works in the financial sector. The couple gets involved in a tragic accident that will change their lives forever. At the same time, the accident has a major impact on both their families who, despite the class difference, cross paths.
A man turning 50 (Walter Faber) narrates his liaisons with three women: Hanna, who was pregnant and left him many years ago in Zurich; Ivy, who broke up with him recently in New York; Sabeth who is 20 and whom he just met on a boat to Europe. Sabeth and the narrator travel to France, Italy and Greece. But who is Sabeth? What does she feel towards the narrator? What does he feel towards her? The entire movie is shot in subjective view (we only see what the narrator sees); there are no dialogues, just his post-synchronised voice.
London, 2025. Every man and boy has perished. It's been 7 years since Laura lost her two sons and husband, and has raised her daughter, McKenna, in a world where the scarce supply of sperm is forced upon the young and fertile.
When Bruce checks into a hotel suite on his trip to New York City he expects to catch up on some sleep and perhaps catch a Broadway show or two between his business meetings. What he gets instead is Olga.
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