“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.
"All Paulos in the World" is a cinematographic essay about Paulo José, one of the greatest artists in Brazil, in the year in which he turns 80 years-old.
For decades, doctor Juscelino Kubitschek enters politics and becomes president of Brazil.
The synopsis was loosely inspired by an argument by Paulo José called Cidade das Formigas. It was based on what happened in the city of Formiga, in Minas Gerais, where women work for large clothing manufacturers in the country. In Formiga Real, women guarantee a large part of their families' livelihood with this work.
Cabral is a writer who decides to spend his summer writing a series about love stories. It is then that he begins to look back over his life and his works. He is married to Glorinha, a woman twenty years younger than him, with whom he has a daughter, the young Samanta. Glorinha dreams of having a second child, but Cabral rejects the woman's desire, creating a stalemate between the two.
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