Left to their own devices by their absent mother, Laura and her two sisters revel in the excitement of freedom, letting their days unfold without the constraints of adult supervision. However, when Laura receives a call that threatens to place them in foster care, she frantically searches for a substitute mother to avoid this fate.
An applicant. A jury. The most prestigious film school. An admission test where you balance a stick on your finger.
Grace, a young heroin addict and Jamie, her alcoholic doctor, imprisoned by the horror of addiction and sexual co-dependency take a powerful natural hallucinogenic in order to travel the spiritual road to recovery. Whilst seeking the truth to their present and past behaviour but driven by self-obsession and malevolent denial, far from leading to salvation, the road they actually travel leads them to a place from which they may never return. A place where the truth is more horrific than the lies they tell themselves. One person from a past that connects them both holds the key to their new place of captivity and that person is in no hurry to leave.
"It's simple! We do as we're told." This disconcerting reply comes from a Swedish employment office employee when asked how the country’s most unpopular government agency works. And that’s not all: in this creative documentary, case workers, receptionists and psychologists reveal how the Swedish employment system is failing. They complain about inadequate software and mystifying error messages, excessive caseloads and demoralizing results—on average, each case worker helps just 10 people find work each year, and only one in 10 clients will find a new job. To assure the anonymity of the interviewees, they're all represented by cardboard puppets. Thanks to visible puppeteers, expressive eyes and recognizable gestures, these puppets quickly take on the appearance of real people. The result is a fascinating, comical and artistic study of human strategies to get along in an irrational bureaucracy.
Charles Ingvar Jönsson gathers three criminals to take vengeance upon the people who killed his uncle.
When JW becomes a drug runner in order to maintain his double life, his fate becomes tied to two other men: Jorge, a fugitive on the run from both the Serbian mafia and the police, and mafia enforcer Mrado, who is on the hunt for Jorge.
Gunnar Govin is making a home movie about the Sweden of today.
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