A young, restless Jewish mother and her family move to an idyllic country property at the base of a mystical and sacred Aboriginal mountain (Gulaga, or “Mother Mountain”), with the hope of starting a new life. Still haunted by a marriage break-up and a strained relation with her parents, she struggles to find a meaningful connection with her new partner. When her daughter is bullied at the local school, an enigmatic Indigenous boy Ren comes to her aid and opens her eyes to the magic of the mountain and its bucolic surrounds. But an unexpected visit from her parents reopens old wounds, with unexpected consequences.
A compelling personal journey with David Stratton, as he relates the fascinating development of our cinema history. David guides us from his boyhood cinema experience of Australia in England, where he saw the first images of this strange and exotic landscape via the medium of film, to his migration to Australia as a ‘ten pound pom’ in 1963 and onto his present day reflections on the iconic themes that run through our cinematic legacy. All of this reflects a passionate engagement in a uniquely Australian medium. Parallel and at the heart of the series is the story of an industry whose growing pains David has witnessed over a lifetime. Alongside David, the protagonists of this history are the giants of Australian cinema – both behind the camera and in front of it.
A family attempt to connect with the murderer of their daughter after he's spent 20 years in prison for the crime.
It is not everyday that you meet a man on the beach in his pajamas. It is even less often that you find he has brought his bed with him. A gentle film about life, death and forgiveness, starring two of Australia's best loved actors.
Australian teenager Heidi is left with little choice but to leave home after she's caught red-handed with her mother's boyfriend. With few options, Heidi ends up in Jindabyne, a tourist community. Upon meeting Joe at a bar, she pursues a relationship with him and tries to find something resembling a normal home life. Heidi makes small strides by getting a job and finding a place to stay, but her relationship with Joe must overcome more than its share of hurdles.
Alice Springs is the scene of an enchanting date with destiny. Great planetary forces are at work, drawing people to a total eclipse of the sun - An unorthodox hero seeking the love of his life, a central Australian tour gone wrong, a young romantic lost in the desert, a rogue road train and a young woman having fantasies about killing her drop-kick of a husband...
The adventures of Golden Retriever pup Napoleon and his friend, the parrot Birdo Lucci.
BREATHING UNDER WATER is the story of a woman's journey into an imaginary underworld city. The birth of her daughter into an increasingly perilous world has unsettled everything in Beatrice's (Anne Louise Lambert) life. Her growing unease prompts Beatrice to undertake a journey - an investigation into human nature, a confrontation with the fears of our time, and a search for clues that will ultimately give her an answer to the central riddle of the film: why has humankind set the stage for its own extinction? The director’s preoccupation with humankind’s tendency to self-destruct was one factor that lead to the creation of this complex film.
JUST DESSERTS is a reflective and evocative film which looks at the development of Maria Stroppi's sexuality through food. Set in 70s' suburban Australia, the film deals with fragments of Maria's memories of her turbulent past growing up in an Italian Catholic family.
A mystery, a comedy with an undercurrant of terror, about the expose of scandal in big business transactions and how a three year-old boy and his father lost each other.
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