“Hana-Dama”—a flower in the wasteland. This flower is a symbol of earthly desires and every human is overwhelmed by desire and their rationality collapses wherever the flower is in bloom. And even today, the “Hana-Dama” continues to blossom profusely somewhere in the world. The story is set in a film theater, the facility keeps on closing one after another during recent years. The last day has come to a film theater which has been maintained by a film-loving owner, the staff, and their unique audiences. The symbol of human desire, “Hana-Dama,” blossoms at the theater and instigates people’s erratic behavior. Upon facing its closure, tremendous chaos that will be noted in the history of Japanese film takes place within this film theater.
A young man, Keiji, loses at mahjong and has to work at a snack bar to pay off his debt. There he meets Yoko, a woman with a bewitching atmosphere, and falls in love with her at first sight. However, Yoko has a missing yakuza husband and she is forced to work in his place.
Office drama wherein a mediocre salaryman struggling hard to face a dream.
When a four-man terrorist group known as Team Phantom begins raising havoc in downtown Tokyo, the city is in desperate need of a hero. An unexpected champion appears in the form of Lady Battle Cop, a former female tennis champion who has been transformed into a seemingly unstoppable cyborg.
From Wikipedia, the free encyclopedia. Annu Mari (born May 20, 1948 raised in Bunkyō, Tokyo, Japan) is an Indo–Japanese actress. She is best known in the West for her role as the femme fatale in Branded to Kill (1967). Her sisters are model Prabha Sheth and actress Yuka Kumari. She is married to conductor Yoshikazu Fukumura. Description above from the Wikipedia article Annu Mari, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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