The Shatalov family plays an important role in the life of their neighborhood. The head of the family, Alyona, runs a management company that serves the whole quarter. Her husband Mikhail is a doctor at the district polyclinic, and their 20—year-old son Artyom serves as a district police officer. Every day, this magnificent family solves the everyday and everyday problems of the residents of their area, constantly getting into funny and curious situations. But one day the Shatalovs' personal problems grow to the scale of a domestic disaster.
18-year-old orphan Lily has recently been studying at a provincial technical school. For the first time since graduating from the boarding school, she manages to make friends and even meet a handsome guy. But Lily's new life changes when a friend from her past shows up and threatens to tell everyone her biggest secret.
A simple man Ivan Rostok, having reached the limit in his fall, repents and is spiritually reborn. He gains faith after the appearance of St. George to him and sets himself the task of restoring the village church destroyed in Soviet times.
In the Chertanovo area, known for periodic invasions and attractions, the Prince of Darkness himself suddenly appears. He has grandiose plans, but to implement them, he needs the help of his son, a supermarket cashier, who has a lot of questions for his father from hell. The all-powerful Prince of Darkness will have to build relationships with earthly relatives in order to carry out his plans and teach humanity a lesson.
Oleg is a young gifted paramedic. His wife Katya works as a nurse at the hospital emergency department. She loves Oleg, but is fed up with him caring more about patients than her. She tells him she wants a divorce. The new head of Oleg’s EMA department is a cold-hearted manager who’s got new strict rules to implement. Oleg couldn’t care less about the rules – he’s got lives to save; his attitude gets him in trouble with the new boss. The crisis at work coincides with the personal life crisis. Caught up between their patients, alcohol-fueled off-shifts, and an evolving health care system, Oleg and Katya have to find the binding force that will keep them together.
Dimitri Venkov’s Krisis is based on a Facebook discussion on December 8, 2013, the day on which pro-European demonstrators in Kiev started to demolish statues of Vladimir Lenin. The film reenacts debates between Russian and Ukrainian artists during the protests, revealing deep aesthetic, historical, and political divisions.
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