A trailer for Athina Rachel Tsangari’s theater staging of Frank Wedekind’s Lulu at the Salzburg Festival 2017. Above the stage: balloons on which eyeballs are projected. On the stage: human creatures wrapped in tulle, rolling, romping. A “monster tragedy” à la Tsangari.
When a visionary architect and his wife flee post-war Europe in 1947 to rebuild their legacy and witness the birth of modern United States, their lives are changed forever by a mysterious, wealthy client.
Joe and Isabel’s marriage is dying when Kitti, a naked stranger found floating in the pool at their holiday villa in Greece, is invited to stay. Kitti collects and eats poisonous plants, and Nina, their teenage daughter, is enthralled by her. What kind of relief can Kitti provide for this family in crisis?
A fascinating insight into the role of the intimacy co-ordinator, told through behind-the-scenes access to new queer French TV show Split.
Lost in a hostile forest, the Marquis d'Urfé, a noble emissary of the King of France, finds refuge in the home of a strange family.
In a dystopia Paris, this is about a campaign manager named Tristan who is knocked sideways when he receives an anonymous letter containing a positive pregnancy test. Potentially suffering from a fatal and incurable genetic illness, Tristan becomes obsessed with the idea of finding the woman who sent him this test. He decides to carry out an investigation, risking his love life and his career in the process.
When aimless Manon begins work at À mon seul désir, a strip club that offers high concept performances, she instantly bonds with her fellow strippers, particularly Mia, an aspiring actress with a boyfriend and child. Manon learns that it is “not easy money, but fast money” and when she finds herself falling for Mia, she is forced to question her priorities as she explores her newfound erotic life.
At an institute devoted to culinary and alimentary performance, a collective finds themselves embroiled in power struggles, artistic vendettas and gastrointestinal disorders.
In the aftermath of her tumultuous relationship with a charismatic and manipulative older man, Julie begins to untangle her fraught love for him in making her graduation film, sorting fact from his elaborately constructed fiction.
Set in the shrine of French dance, the Garnier Opera house, L'Opera follows three characters whose dreams clash with reality, whose ambitions collide with expectations, and whose purity faces corruption.
Ariane Labed (born May 8, 1984) is a Greek-born French actress and film director. She is best known for her feature film debut in Attenberg, for which she won the Volpi Cup for Best Actress. Born to French parents, Ariane Labed lived her first six years in Athens, then six years in Germany. She arrived in France at 12 years old. Ariane studied at Provence University, (Deust Basic training in theater, Bachelor of Performing Arts and Master Dramaturgy and scenic writing). where she co-founded the Vasistas theatre company with Argyro Chioti and went on stage with the National Theater of Greece. She made her acting debut in Attenberg, a feature film directed by Athina Rachel Tsangari, for which she was awarded the Volpi cup for best actress at the Venice Film Festival. Ariane went on to feature in a range of French and international projects including Richard Linklater’s Before Midnight, Alice’s Journey by Lucie Borleteau (for which she won Best Actress at the Locarno Festival and was nominated for a César award), The Lobster by Yórgos Lánthimos (winner of the Jury Prize at the Cannes Film Festival) and Assassin's Creed by Justin Kurzel (co-starring Marion Cotillard and Michael Fassbender). Ariane most recently played the lead role in "Trigonometry", a series for the BBC. Ariane wrote and directed her first short film "OLLA" presented at the Directors' Fortnight at the Cannes Film Festival 2019 and selected in numerous festivals around the world including Telluride, the BFI London Film Festival and Sundance. “OLLA” won the Louis le Prince International Short Film award at the Leeds Film Festival in 2019, as well as 3 awards at the Clermont-Ferrand International Short Film Festival in 2020 including the National Grand Prix prize.
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