In a sleepy little mill town in North Carolina, Paul is the town Romeo. But when his best friend's sister returns home from boarding school, he finds himself falling for her innocent charm. In spite of her lack of experience and the violent protests of her brother, the two find themselves in a sweet, dreamy and all-consuming love.
Blow Debris similarly suggests narrative but prefers to offer it in the form of a drifting, almost aimless experience; the piece enacts a passage or journey as we follow a group of nude wanderers in a desert landscape. As with Electric Earth, what could be postmodern anomie becomes celebratory drifting. Aitken spurns a romantic nostalgia for a pristine past and its untrammeled landscapes in favor of the stories suggested by the discarded remnants and detritus that litter the expanse of the Mojave Desert. He also fetishizes the feeling of the desert. Even in the cool, dark space of the gallery rooms housing the huge projections, you sense the lassitude of the characters and time seems to slow down. And then things explode, time reverses, and you are compelled to walk around some more, from dislocation to relocation and back again.
In 1930s Texas, pulp fiction master Robert E. Howard is introduced to Novalyne Price, a teacher with aspirations of becoming an author herself, and they begin a unique relationship filled with conversation and imagination. Although the possibility exists for romance, Howard's obsession with his work and dedication to his sick mother leads Price to look elsewhere for love, leaving Howard feeling betrayed and alone.
An ordinary man frustrated with the various flaws he sees in society begins to psychotically and violently lash out against them.
In this variation on director Vadim's own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.
Sisters Charlotte and Lucy Bonnard live together in the gloomy Louisiana family mansion that they’ve turned into a boarding house. But when a mysterious young man enters their lives, the sisters are forced to confront their dark pasts.
Mouton started off his acting career mostly in film roles, appearing in the Rebecca De Mornay remake "And God Created Woman" (1988), "Sister, Sister" (1988) and the drama "Flatliners" (1990) with Kiefer Sutherland. He also appeared in "Whore" (1991) and the Michael Douglas smash hit action picture "Basic Instinct" (1992).
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