Andrei Blaier's film catches the last days of The Stone Cross a low class brothels area that became some kind of an institution in the landscape of Bucharest before the Communist period, doomed to destruction under the new rules of proletarian morals that the Communists were trying to impose. The idea could be the start of a great film, with the prostitution being seen not so much from its destructive and exploitation perspective, but rather as a form of freedom in a time when the whole society was falling under the rule of propaganda, hypocrisy, and repression. In a world due to fall under tyranny for the coming decades prostitution becomes a metaphor of the old more free way of life.
After the revolution of December 1989, Romania is in full transition. Incertainty and chaos have followed Ceausescu's downfall. Fane, a worker in a wharf on the river Danube, is a former dissident who was in involved in politically motivated uprisings. Now that he has achieved what he has fought for, he is unemployed and everything around him seems to fall to pieces. His whole family falls victim to the changes of the early 90s. His daughter prostitutes herself, his elder son ends up in prison and his younger son becomes a thief.
Nea Costel and her consort, Didona, want their daughter, Tina, to participate in the Miss Litoral beauty contest. But Tina is in love with a shy and jealous boy who does not see in Tina a beauty of the kind that appears on the covers of magazines and wants to keep her only for himself.
Two parallel stories about unhappy marriages that take place during inter-war period in the Banat village within Romanian ethnic minority in Serbia.
At the end of XIX century, Romania, A boyar tries to send a trunk full of jewels to his daughter abroad. Only that the trunk doesn't make the trip, so the daughter comes in the country to recover it, enlisting the help of some outlaws.
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