The movie tells the little stories of a group of families who live in the same building in Rome as seen from the eyes of Sandrino, a little kid who is awaiting for a total eclipse of the sun, that really happened during summer of '61, and it was was fully visible from Italy. He sees his family life, a young girl who is about to marry a man she doesn't love, an old man who has just died and whose relatives fight for his inheritance, a blind trumpet player who hopes to recover, his little friends...
In the 15th century, in a poor Italian village, the monks of a modest convent take up an abandoned baby. Unfortunately, for all their efforts, they prove unable to trace his parents. So they set up providing tender loving care to the little boy. Marcellino lives a happy life among the men of God but, as he grows up, he misses his mother more and more.
Set in Italy during the 1920s, a barber is in a wheelchair because of a psychosomatic illness after he lost the woman he loves.
Fresh out prison, Tiberio reconnects with his old partners in crime, Michele Ferribote and Peppe the Panther, only to realise that a lot has changed--including crime--after twenty years. Can he cope with this new reality?
Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.
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