It was the world's largest, most beautiful and fastest cruise ship. Built in Saint Nazaire in 1932, the "Normandie" was the pride of France. But it took only a few hours, amidst the chaos of World War Two, for this dream of grandeur to lie broken in New York harbour.
Paris, 1940. German occupation forces create a new film production company, Continental, and put Alfred Greven – producer, cinephile, and opportunistic businessman – in charge. During the occupation, under Joseph Goebbels’s orders, Greven hires the best artists and technicians of French cinema to produce successful, highly entertaining films, which are also strategically devoid of propaganda. Simultaneously, he takes advantage of the confiscation of Jewish property to purchase film theaters, studios and laboratories, in order to control the whole production line. His goal: to create a European Hollywood. Among the thirty feature films thus produced under the auspices of Continental, several are, to this day, considered classics of French cinema.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Updated adaptation of Choderlos de Laclos' classic 18th Century tale of seduction, betrayal and revenge set in the modern 1960s world of Parisian high society. The beautiful Madame de Merteuil seeks vengeance against her ex-lover Gercourt when he becomes engaged to her young goddaughter, Cécile.
In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ensues, and through happenstance, the murderer and the boy's mother form an alliance. All this takes place in four days during which the boy has his first communion, his separated parents face each other amidst grandmother's hopes they'll reunite, the grandfather just wants to go fishing, the school's chaplain complains about the boy's behavior, and the convicts' shared girlfriend comes, gun in hand, to help them escape to Tangier. The mother's surprising decisions complete the story.
From Wikipedia, the free encyclopedia Danielle Darrieux (French pronunciation: [da.niɛl i.vɔn ma.ʁi ɑ̃.twa.nɛt daʁ.jø]) (1 May 1917 – 17 October 2017) was a French actress and singer, who appeared in more than 110 films after 1931. She was one of France's great movie stars and her eight-decade career is among the longest in film history.
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