The film follows two student cinematographers who, as the war approaches Moscow, refuse to be evacuated and instead volunteer to be front-line cameramen capturing the horrors of war and heroism of the soviet soldiers. At the same time, we witness another storyline taking place in the US. After the premiere screening of the already completed documentary “Moscow Strikes Back”, one of the members of the Academy Awards selection committee is trying to persuade his fellow colleagues to establish a new category of Best Documentary in the upcoming Oscars event.
A white guy pretends to be a black female talk radio host and becomes a huge hit.
With a new principal in town and the Spring Fling in jeopardy, Rhyme and the Chicken Girls must band together to save the dance.
Four friends from the first movie are back in the saddle. This time they're not only returning to the big sex world but also helping the state on the important mission.
Will, a 30-year old who is losing control of his life, inherits his father's cabin and with it a new perspective on his family, childhood and relationships.
When Kermit the Frog and the Muppets learn that their beloved theater is slated for demolition, a sympathetic human, Gary, and his puppet brother, Walter, swoop in to help the gang put on a show and raise the $10 million they need to save the day.
A sweet housewife has been married to the same crotchety man for 40 years and she just can't bear another day. She starts to poison his food just to see if he might change. When he falls ill, both are awakened to the raw reality of life and death.
Day Is Done is a carnivalesque opus, a genre-smashing epic in which vampires, dancing Goths, hillbillies, mimes and demons come together in a kind of subversive musical theater/variety revue. Running over two-and-a-half hours, this riotous theatrical spectacle unfolds as a series of episodes that form a loose, fractured narrative. The video comprises parts 2 through 32 of Kelley's multi-faceted project Extracurricular Activity Projective Reconstructions, in which trauma, abuse and repressed memory are refracted through personal and mass-cultural experience. The source material is a series of high school yearbook photographs of "extracurricular activities," specifically those that represent what Kelley has termed "socially accepted rituals of deviance." Kelley then stages video narratives around these found images.
By browsing this website, you accept our cookies policy.