Historian Luke Pepera looks at how and why the history of Africa was written out of world history. He also explores how and why, as a consequence of this, the history of Africans in Britain was written out of British history.
The BBC's Horizon programme began in 1964, and since then has produced films looking at computer technology and the emergence of 'artificial intelligence'. Our dreams always begin with ideology and optimism, only for this optimism to be replaced with suspicion that AI machines will take over. However, as the Horizon archive shows, throughout each decade once we have learnt to live with the new emerging technology of the time, the pattern begins again. We become once more optimistic, before becoming fearful of it. The dream for decades had been for a computer with AI to be embedded within a humanoid robot, but just as scientists began to perfect machines with these qualities, something happened nobody expected. Today, AI systems power our daily lives through smart technology. We are currently experiencing a level of fear about the power of AI, but will we enter the next decade optimistic about all that AI can deliver - or fearful of its ability to control vast areas of our lives?
Horizon interviews some experts and looks at the matters which can change our lives in the future, like: climate change, the future of transport, energy production, gene therapy, artificial intelligence, among other things.
Dr Adam Rutherford investigates the close relationship between discoveries in anatomy and the works of art that illustrate them.
Dr Adam Rutherford explores the consequences of one of the biggest scientific projects of all time - the decoding of the entire human genome.
Dr Adam Rutherford tells the extraordinary story of the scientific quest to discover the secrets of the cell and of life itself. Every living thing is made of cells, microscopic building blocks of almost unimaginable power and complexity.
Born January 1975, Adam David Rutherford is a British geneticist, author, and broadcaster. He was an audio-visual content editor for the journal Nature for a decade, and is a frequent contributor to the newspaper The Guardian.
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