A retired hitman's life is turned upside down when his ex-wife and son arrive unannounced during the holidays because they are on the run from his former mob associates.
A womanizer and a gold digger trick people into relationships with illegal robot doubles. When they unwittingly use this scam on each other, their robot doubles fall in love and elope, forcing the duo to team up to hunt them down before the authorities discover their secret.
Jane drops her daughter off at sleepaway camp and drives away from her mundane life into an exciting odyssey on the road. Jane’s obstacles, connections and moments were created playing an exquisite corpse; seven filmmakers guiding each chapter of Jane’s journey without knowledge of what the others were doing.
At his best friend's New Year's Eve party, Gary desperately tries to spark the interest of Ann, his ex-girlfriend, without letting his friends embarrass him, but ends up receiving devastating news instead.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
In may 1940, the German troops enter France. Frightened by the progress of the enemy, the people of a small village of Pas-de-Calais decide on the recommendations of the prefecture, to give up everything to go on the road, fleeing to the coast.
An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.
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