Empire of Brazil, 1870. A queer indigenous body slowly dies on the cross while a transgender gypsy woman is banned by her people. A half-breed soldier stands in the middle of the way. A child and an old woman cross their stories like destined lines on the palm of a hand.
A film like a monument: Luz nos Trópicos is a tribute to the rich greens of the Amazon and the forests of New England in winter, celebrating the indigenous peoples of continental America and flowing as a film as freely as a winding river.
Feeling directionless in his life, Wellington works in buses in Brazil as he gathers money for a charity that helped clean him from drugs. A chance encounter, however, may lead to the spark he is looking for.
João is a 32-years-old musician that opts for the isolation of a farmhouse in the Brazilian countryside after Flora, his pregnant wife, breaks up with him. Three months pass and he’s finally ready to make amends with his wife and follow the birth of his son. But then João is surprised by the mysterious appearance of Max, his best friend, who’s been missing for years and was thought to be dead.
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