Kate lives a secluded life—until her troubled daughter shows up, frightened and covered in someone else's blood. As Kate unravels the shocking truth, she learns just how far a mother will go to try to save her child.
Rose and her daughter Sofia travel to the Spanish seaside town of Almería to consult with the shamanic Dr. Gomez, a physician who could possibly hold the cure to Rose’s mystery illness, which has left her bound to a wheelchair. But in the sultry atmosphere of this sun-bleached town Sofia, who has been trapped by her mother’s illness all her life, finally starts to shed her inhibitions, enticed by the persuasive charms of enigmatic traveller Ingrid.
Paralyzed by her life wrangling cattle in Alberta, Canada, Charlotte jumps into her Ford Bronco, flees her over-controlling husband, and lands back in her childhood Park Avenue apartment where she takes refuge with her mother Kit. Rediscovering the boy she loved, now her grown doorman Anders, and the life she left at 18, the mother and daughter explore shared history, unshared truths and find a way to face both love and loss.
It's an unforgettable Christmas for the townsfolk of Wellington-on-Sea when the worst snowstorm in history alters everyone's plans — including Santa's.
After discovering she can see everyone's imaginary friends, a girl embarks on a magical adventure to reconnect forgotten imaginary friends with their kids.
Celebrate Disney+ Day with a special look at the Star Wars original series Andor.
Fiona Shaw narrates this exploration of Russia's medieval origins through to its bloody expansion to become the biggest country in the world. It's a tale that set the scene for one of the world's most enigmatic figures, and his vision of modern Russia. From a tyrannical grip on ordinary citizens to rampant corruption at the highest level, this film reveals the secrets behind holding the world's largest country together in a narrative that takes in the KGB and its ancestors as well as Stalin, murder and gulags.
In 1840s England, palaeontologist Mary Anning and a young woman sent by her husband to convalesce by the sea develop an intense relationship. Despite the chasm between their social spheres and personalities, Mary and Charlotte discover they can each offer what the other has been searching for: the realisation that they are not alone. It is the beginning of a passionate and all-consuming love affair that will defy all social bounds and alter the course of both lives irrevocably.
When her boyfriend Ben suddenly dies in an accident, mother-to-be Charlotte collapses upon receiving the news. She wakes up in Ben’s family home, a crumbling old manor house in the middle of nowhere with Ben’s overbearing mother and his controlling stepbrother who are determined to care for her. Grief-stricken and increasingly haunted by visions possibly brought on by the pregnancy, Charlotte begins to doubt the family's intentions and her suspicions grow that they may be trying to control her and her unborn baby.
While searching for her missing mother, intrepid teen Enola Holmes uses her sleuthing skills to outsmart big brother Sherlock and help a runaway lord.
Fiona Shaw (born Fiona Mary Wilson; 10 July 1958) is an Irish film and theatre actress. She is known for her roles as Petunia Dursley in the Harry Potter film series (2001–2010), Marnie Stonebrook in the fourth season of the HBO series True Blood (2011), and Carolyn Martens in the BBC series Killing Eve (2018–22). For her performance in Killing Eve, Shaw won the 2019 BAFTA TV Award for Best Supporting Actress. For her performances in the second seasons of Killing Eve and Fleabag, she received Primetime Emmy Award nominations for Outstanding Supporting Actress in a Drama Series and Outstanding Guest Actress in a Comedy Series respectively. For the third season of Killing Eve, she was again nominated for Outstanding Supporting Actress in a Drama Series. Shaw has worked extensively with the Royal Shakespeare Company and the National Theatre. She won the 1990 Olivier Award for Best Actress for various roles, including Electra, the 1994 Olivier Award for Best Actress for Machinal, and the 1997 Drama Desk Award for Outstanding Solo Performance for The Waste Land. Her other stage work includes playing the title role in Medea in the West End and on Broadway (2001–2002). She was awarded an Honorary CBE in 2001. In 2020, she was listed at No. 29 on The Irish Times list of Ireland's greatest film actors.
By browsing this website, you accept our cookies policy.