One day at the end of the 1800s, 14-year-old Lise’s life is changed forever. She is the eldest of her siblings, the first in her family to go to school and full of hope and confidence in life. But when her mother goes into labour, it quickly appears that something is wrong. As night falls and the labour progresses, Lise begins to understand that a day that began in childhood might end with her becoming the woman of the house.
Sprees of violence, occult rituals, and brainwashing aren’t exactly what we’ve come to expect with Danish rock-legends Dizzy Mizz Lizzy. But in the hands of director Marc Luis Sutton, that’s exactly the story that unfolds in the 23 minutes long suite ‘Amelia’ from the band’s latest album, Alter Echo. The result is an opulent work of art, beautifully shot on 16mm.
Maggie and Carsten love each other, they have two wonderful children and run their own gourmet restaurant; Malus. They want it all. And they have it all. Almost. They are missing the coveted Michelin Star. It has been their dream, on which they gambled everything to win. One day Carsten receives a letter saying that his wife loves somebody else. But who sent the letter and why? In their continuous passion and pursuit for the ultimate recognition, they forget that the meals of life are best enjoyed together.
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