An American director, hired by German television to make a film about 9/11, re-stages a controversial photograph taken along the Brooklyn waterfront soon after the collapse of the World Trade Center.
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, In different permutations. With a freedom Influenced by pre--Code Hollywood, cameras, phones, and laptops are scattered around & set at almost every possible angle, documenting the action both in front of and behind the camera as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate. playful, and spontaneous look Into the collaborative cinematic process emerges. a snapshot of the filmmaker's perennial struggle to capture fleeting moments before the day (and light) slip away.
Interview with the director of "Traveling Light" (2011) about her work as a filmmaker, critic, and programmer.
Gina Telaroli was born on an early Wednesday morning into the lap of Reagan, with her sun in Taurus and her moon in Capricorn. She is a Cleveland, Ohio-raised and currently NYC-based filmmaker, writer, teacher, and video archivist. For the past 10 years she has managed the video archive for Martin Scorsese’s Sikelia Productions, as well as consulting on and creating the series trailer for “Martin Scorsese Presents: Republic Rediscovered,” a 30-film series celebrating the Poverty Row studio in conjunction with The Film Foundation, MoMA, and Paramount Pictures. In the last year she published essays in two new books (Manny Farber: Paintings & Writings and The Sound of Fury: Hollywood’s Schwarze Liste) and programmed a series devoted to the Swedish documentarian Mikael Kristersson at the Museum of the Moving Image. Her feature and short film work has screened around the world, with her most recent film, Monte Verita, premiering at IndieMemphis. She is currently the co-editor of the film section of The Brooklyn Rail.
By browsing this website, you accept our cookies policy.
