For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.
A documentary on prolific underground Brazilian filmmaker Rogério Sganzerla.
Slowly we recognize traces of a couple's history. Joana, living isolated in an apartment between books and mysteries searching for an "ideal world" and Jota living on the streets searching for a confrontation with the real and trying to give back the final word to the "other"..
In search of a powerful hallucinogenic, five friends embark on a dangerous journey deep into the Amazon. But a bad trip isn't the only threat as they discover when they stumble across the hidden camp of the crazed Dr. Moreau and his murderous animal-human hybrid creations.
A short documentary on Belair, an independent Brazilian film company that lasted for only five months in 1970.
A customs agent, Dr. Amnésio, examines some reels of film, a documentary Orson Welles made about Brazil, and tries to confiscate the material. Then, a party in which repression agents celebrate their victory against freedom and creativity.
A day in the life of a young man who aspires to be a filmmaker in Belo Horizonte. He is aware that there are many obstacle to shooting and the city is just one of them. He is not giving up, at least not without rebelling...
At same time as it dives into excess and violence of Brazilian reality, Curra Urbana tri to insert itself in anti ilusionist modern aesthetic reinstarting a dialogue from Jean Luc Godard and some of later Brazilian apropriators especially those of Cinema Marginal.
The story of three characters in a brothel room: the prostitute Neusa Sueli, the gigolo Vado and the homosexual Veludo speak of their lives and expose their marginality.
Guaracy Rodrigues, known as Guará (Belo Horizonte, 1943 — Rio de Janeiro, February 21, 2006) was a Brazilian actor, art director and film director. Known for his small roles and cameos throughout his more than 40 years as an actor, he is considered one of the most important figures in the history of marginal cinema.
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