To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out messages, each in their own way, in their own state of solitude. These are like multiple echoes that resemble waves in the water or stars in the sky. " Behind these images and sounds that have been stifled by today's society, Lehman hunts for noises, cries, songs, messages that go astray. He says that if we look at the invisible we may hear the words. He invites us to look beyond the appearances of social life and to vibrate in tune with life's polyphony that is all around us."
Documentary covering the career of French composer Georges Delerue, famous for film scores for such films as Platoon, Contempt, Shoot the Piano Player, and Jules and Jim.
Henri Colpi (French: [kɔlpi]; 15 July 1921 – 14 January 2006) was a French film editor and film director. Colpi graduated from the IDHEC in 1947. During 1950 to 1960, he edited films for such notable French New Wave directors as Agnès Varda and Georges Franju. Colpi directed the 1961 film Une aussi longue absence, which is well known for sharing the Palme d'Or at the 1961 Cannes Film Festival with Viridiana, directed by Luis Buñuel. Une aussi longue absence was written by Marguerite Duras, featured Alida Valli in a major role, and included music by Georges Delerue. It also won the Louis Delluc Prize in 1960. His second feature Codine was also screening in competition at the 1963 Cannes Film Festival, where Colpi won the prize for Best Screenplay. Colpi is also noted as a film editor with about 20 credits, including Alain Resnais' films Hiroshima mon amour (1959) and L'Année dernière à Marienbad (1961). He edited André Antoine's forgotten film L'Hirondelle et la Mésange (The Swallow and the Titmouse) to a 79-minute feature that premiered in 1984. Antoine initially shot six hours of footage. In addition to directing, editing, acting, sound recording, and a variety of functions in the post-War years, he was featured in a French television series, L'Histoire du cinéma français par ceux qui l'ont fait (The History of French Cinema By Those Who Made It) in 1974, and he continued to work into the 1990s.
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