After running away from home, a teenage graffiti artist holds up an unsuspecting MTA worker in a robbery gone right that changes their lives forever.
Ronny Chieng and David Fung try and put together a charity event for a struggling restaurant in Chinatown that has deep ties to the community. First they need to raise their clout.
Pushed to the brink after losing her job, a woman struggles to survive. As the months pass and her troubles deepen, she embarks on a perilous and mysterious journey that threatens to usurp her life.
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
The Narrator tells us how the radio influenced his childhood in the days before TV. In the New York City of the late 1930s to the New Year's Eve 1944, this coming-of-age tale mixes the narrator's experiences with contemporary anecdotes and urban legends of the radio stars.
A married couple from Poland emigrates to the U.S.,. but things don't turn out as well as they had imaged. The husband's business fails, while his wife's career really takes off. The husband, unable to cope with the pressures of his failed business, his failing marriage and the adjustments necessary to live in a completely different society, begins to take out his frustrations on his wife.
Henry Yuk was born and raised in Brooklyn, graduating from Brooklyn College with a degree in English and Education. His introduction to theater came when his drama teacher at Midwood High School got him involved in “Sing,” a NYC high school performance program. However his early career was in education and child care, first teaching at three Brooklyn public schools & subsequently directing a Chinatown day care center for 6 years. His interest in theater did not wane, and opportunity presented itself later when he was invited to join the Pan Asian Repertory Theatre Company. During this time he perfomed in numerous productions, including “Yellow Fever,” where he played the role of Chuck Chan. Meanwhile, he also was developing experience in film. His first SAG job was in the movie “Eyewitness." This led to a number of small roles in other films, until he landed a more significant role in “The Last Dragon” which has since become a cult classic. Roles since then have included General Tan in Martin Scorsese’s “Kundun,” and Sung Yon Kim in the “Sopranos." Henry has a warm personality with a keen sense of humor, which can be subtle and cerebral or antic and physical. At the same time he is quite adept at dramatic and more sensitive roles. Henry speaks Cantonese and Toisanese dialect. While he speaks perfect American English, he has also played roles with Asian accents. His credits include voiceovers and narration. The son of immigrants from Guangdong Province, Henry lives in Brooklyn with his wife Holly Hyans, a partner at Morrison & Foerster LLP. They have two daughters.
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