A miraculous conception. A merciless king. A murderous pursuit. Mary's journey to give birth to Jesus unfolds in this biblical coming-of-age epic.
amara, a successful career woman, lives in a world of high expectations and perfect performances. When she gives birth to her first daughter, the change shakes her world, altering the power dynamics in Tamara and her husband's marriage and sex life. While she struggles to maintain her place at work, their intimacy becomes more and more demanding. But Tamara continues the race, crossing her own boundaries again and again. She is torn between her many roles-as a motherwife, and career woman. When her home becomes a battlefield, Tamara realizes she is a queen trapped in her own castle.
On a tramway that connects several of Jerusalem's neighborhoods from East to West, a mosaic of people from different religious and ethnic backgrounds are brought together.
Gitai pays homage to Albert Camus and explores the return to Palestinian villages while interjecting texts by Izhar Smilansky, Emile Habibi, Mahmoud Darwish, and Amira Hass.
One of the strongest examples of Israeli cinematic storytelling in recent years. Zuhara is on her way to her younger sister’s wedding, when she picks up Neriman, a young Bedouin hitchhiker escaping from an arranged marriage. As she unintentionally becomes an accomplice in Neriman’s struggle, Zuhara must confront her conflicted feelings toward her estrangement from her own family. Director Rony Sasson Angel sensitively evokes moving drama through the characters’ quiet exchanges, while building to a powerful climax. Stars Hila Vidor and Maisa Abed Elhadi make the tension and camaraderie between these two strangers palpable and touching. A deeply-poignant and visually-striking road movie.
After a long night, Bashir returns home from work to find his Jewish girlfriend Karin with an unexpected baby in her arms. “We’re a family now,” she tells him, "and we'll never be apart". Bashir is torn between his will to devotionally support his girlfriend and doing the right thing by returning the baby to his mother, a foreign worker who left her child under the threat of being deported from Israel. A decision is made and the couple sets-out on a runaway journey with the baby wrapped in a blanket. As they escape the police, Bashir does his best to look after and protect both Karin and the baby, but he knows the end is near and every solution will have dire consequence. Being an Arab-Israeli with a Jewish girlfriend makes him the “usual suspect”. In the background of social and political topics such as Arabs, Jews and foreign workers, a tender love story is revealed and a delicate family is formed…
Hilla Vidor is an Israeli actress. Her early career was in the Habima Theatre where she played varied roles. In 2008 she won a prize for her roles in Anna Karenina and Autumn Sonata. Since 2009 she has concentrated mainly on cinema and television. In 2013 she won the award for best actress at the Haifa International Film Festival for her role in the movie Funeral at Noon.
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