Satyajit Ray’s masterpiece the Apu Trilogy is widely considered one of the most important works in cinema history. In 1992, Ray was awarded the Lifetime Achievement Oscar. But when film-preservationist David Sheppard volunteered to go to Bengal, he found the original negatives in a terrible state. “It’s hard to think of another world-class filmmaker”, says Sheppard, “whose oeuvre hangs by such a thin thread!” The Song of the Little Road tells the story of how a master’s body of work came so close to disintegration, and why Ray’s films move audiences so deeply across time and cultural boundaries. Three icons – director Martin Scorsese, producer Ismail Merchant, and music composer Ravi Shankar – illustrate stirringly what makes a masterpiece.
The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.
Historical context for The Remains of the Day.
A documentary about making The Remains of the Day.
Meet the denizens of New York City: artists, prostitutes, saints, and seers. All are aspiring toward either fame or oblivion while hoping for love and acceptance. Instead they find high rent, faithless partners, and dead-end careers.
Ismail Merchant (born Ismail Noor Muhammad Abdul Rahman; 25 December 1936 – 25 May 2005) was an Indian-born film producer and director. He worked for many years in collaboration with Merchant Ivory Productions which included director (and Merchant's longtime professional and domestic partner) James Ivory as well as screenwriter Ruth Prawer Jhabvala. Their films won six Academy Awards.
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