The story of Gloria, a worldly but crabby teen-boy-band manager and Sherman, a morose rural man as they escape from their lives, experience life-changing travel, and against their will, cling to one another. When they fall in love for the first time, it's an impossible situation, because you can't just change your life overnight. Can you?
Leaving In Sorrow is a gritty, realistic portrayal of Hong Kong in the aftermath of the Asian Financial Crisis. It is the first Hong Kong production filmed in the "Dogme 95" style, using hand-held cameras, natural lighting, and real locations. The film follows a disparate group of characters--including a pastor, a magazine editor, and a slacker from San Francisco--who find their lives suddenly turned upside down by events beyond their control.
Ivy Ho Sai-Hong (Chinese: 岸西) is a Hong Kong screenwriter and film director. Ho's work has received high critical acclaim in Hong Kong. Perry Lam of Muse magazine wrote, 'As a writer, Ho excels as a miniaturist. Whether they are the mainlanders trying to survive and prosper in Hong Kong in 甜蜜蜜 (Comrades: Almost a Love Story) or the middle-aged school teacher trying to do the right thing in 男人四十 (July Rhapsody), the characters she creates are keenly observed, psychologically acute portraits. Her tone is intimate and confessional. The many piquant details her stories contain give her characters and the movies in which they appear a solid foothold in reality.'
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