Frank Castorf has adapted Racine and combined this material with texts by Artaud. His art of theatrical and vital immoderation explores how, when it comes to this classical French author, the tragedy of existence is born from collusions between private passions and power.
A staging of Olivier Py's play "Orlando ou l'impatience" by himself.
A staging of Jacques Attali's play "From Crystal to Smoke" by Daniel Mesguich.
Un conservateur terrorisé par les plantes vertes, une mère plastifiée pour être exposée, un ballet de Saintes Vierges, des gardiens épuisés par Rodin, un ministre perdu dans une exposition de sexes, une voiture disparue au parking Rembrandt, des provinciaux amoureux des Impressionnistes, touristes galopins galopant d'une salle à l'autre, passager clandestin dans l'art premier, Picasso, Gauguin, Warhol, ils sont tous là dans ce petit monde qui ressemble au grand, dans ce musée pas si imaginaire que ça, valsant la comédie humaine jusqu'au burlesque.
Emma meets François at an airport in France. He is an astronomer who studies the phenomenon of black holes, and Emma finds herself immediately taken with him. Their romance flourishes during a stay in the countryside. But one day, François disappears on a bicycle ride. Left alone in a big house, Emma becomes afraid and returns to Paris to continue her life as a real estate agent. Soon after, François' brother Michel contacts her and together they try to solve the mystery of François' disappearance. But when he encounters Emma, Michel begins to transform into a ghost. Emma slowly begins to realize she possesses a frightening power that she was not aware of.
A staging of Jean-Michel Ribes' play "Musée haut, musée bas" by himself.
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