French contemporary composer Thierry Escaich and French essayist, politician, and now librettist Robert Badinter transform Victor Hugo’s short story Claude Gueux into an operatic call for human dignity in the 21st century.
Between September 1940 and August 1944, luxury hotels are requisitioned by the Germans as staff headquarters, giving the hotels' employees a ringside seat of the enemy's secrets and activities. Such is the case with Royal Palace, run by Maxime and Solange Verdier, in which the Abwerth, the German counter-intelligence service, establishes its HQ.
Nina, a young Polish woman exiled in London, and Pierre Bernard, envoy of General de Gaulle, are part of the international team assembled in Nuremberg after the Second World War to try twenty-four Nazi war criminals.
Massenet composed his opera about Cenerentola nearly 80 years after Rossini did his. And if you are looking for the outburst of the non-stop hilarity and the musical jokes of Rossini, you won't find it here. Also, while the Cendrillon was highly successful and popular in its time, it does not reach up to the artistic and musical levels offered by Massenet's other operas, like Manon, or Thais or Werther. Nevertheless, this is a delightful opera and it is well presented by The Royal Opera. Laurent Pelly created a ingenious setting with movable walls which are covered [in French] with the story of Cinderella, and which open and close book-like.
Musical based on Jean-Baptiste Lully’s musical piece, Alceste ou Le Triomphe d’Alcide. Directed during the production of the opera staging by music director Jean-Claude Malgoire and stage director Jean-Louis Martinoty.
Cop's Honor (Parole de Flic) is a 1985 French crime movie directed by José Pinheiro and starring Alain Delon as retired police officer Daniel Pratt. His teenager daughter was killed by a gang of mysterious hooded killers so Pratt began his own investigation to avenge the killers and their backroom leader.
Jean-Philippe Lafont (born 11 February 1951) is a French baritone. He studied in his native city of Toulouse and later at the Opéra-Studio in Paris. He made his operatic debut as Papageno in The Magic Flute at the Salle Favart, Paris in 1974. He went on to appear regularly in Toulouse, where he first played the title role in Verdi's Falstaff in 1987. Lafont has performed at the Opéra-Comique in Paris, Carnegie Hall and the Metropolitan Opera in New York, La Scala in Milan and the Royal Opera House, London. Among the roles with which he is particularly associated are the four villains in The Tales of Hoffmann, the Comte des Grieux in Manon, Golaud in Pelléas et Mélisande, Barak in Die Frau ohne Schatten and the title roles in Gianni Schicchi, Rigoletto, Boris Godunov and Macbeth. Source: Article "Jean-Philippe Lafont" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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