Agatha is a beautiful young woman from Romania who had a brief but passionate love affair with a French surgeon when he visited her country as part of a charitable medical team. Agatha has decided to come to France to rekindle their romance, but when she arrives in the city of Roubaix, she discovers he didn't take their relationship nearly as seriously as she did. With nowhere to go, Agatha is befriended by Mehdi, a cab driver who helps her find a place to stay. Mehdi is attracted to Agatha, and she returns his interest, but as it turns out Mehdi is already seeing someone -- Cecile, who is having an affair with Mehdi while involved with his close friend Marc. Hoping to move away from Roubaix with Agatha and start a new life, Mehdi gets a job as a bill collector, while Marc impulsively walks off his job and an angry Cecile gives him his walking papers.
Delphine meets Manuel. Fragile and elusive, the young man escapes him. Manuel leaves the city to flee his illness, a cancer. Delphine goes in pursuit and plunges into a world of dark encounters.
Mehdi, 17, is sentenced to perform hours of community service for a minor offense. He arrives in Auvergne where he must serve his sentence - six weeks with a taciturn lumberjack, Abel Vagnier, owner of a sawmill which he operates alone with Tonton, a former wrestler. Abel, overwhelmed, accepts the placement of Mehdi, who discovers work, the countryside and life the hard way, the shock is harsh. He finds himself immersed in a universe where his bearings no longer apply. Communication, initially difficult, is slowly established despite everyone's failings...
Leonie Koutcharev, a top civil servant at the Ministry of Interior, proposes an ideal solution to the problem of overpopulated prisons: put model prisoners in the homes of carefully screened families. Jules and Norma Klarh, a childless couple, expect to receive an inoffensive juvenile delinquent but end up with the psychopath Marcus Steckner in their suburban home. The film centers on social criticism of the gap between reality and the bureaucratic assumptions of what reality should be.
Set in 50 B.C., Asterix and Obelix are living in a small but well-protected village in Gaul, where a magic potion concocted by Druids turns the townsfolk into mighty soldiers. When Roman troops carve a path through Gaul to reach the English Channel, Caesar and his aide de camp Detritus discover the secret elixir and capture the Druid leader who knows its formula, and Asterix and Obelix are sent off to rescue them.
A love story or a tale of the resistance, this poignant movie tells both the haunting story of a French resistance cell in Lyon but also the love of Lucie Aubrac for her husband...
It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them.
In 1920, Major Dellaplane, a man of honor and ethics, searches for missing French soldiers. He meets Madame Irène de Courtil, a politically connected Parisian, and their paths cross.
This fast-paced mystery is in part based on a novel by Yves Ellena and is at least equally based on the 1943 classic Le Corbeau, which in 1951 was produced in English by Otto Preminger as The Thirteenth Letter. In this movie, someone is using a pirate radio broadcast to dish the dirt on the lives of the elite of a small French town.
Jean-Roger Milo, whose real name is Salah Eldine Saoud (in Arabic: صلاح الدين سعود), is a French actor of Algerian origin, born June 5, 1957 in the 12th arrondissement of Paris and died October 12, 2023 in the 15th. district of the same city. At the end of the 1970s, he was 18 years old and already quite drifting, in Créteil, at the MJC, he became acquainted with cinema. A 16 mm Beaulieu camera, black and white film galore, and it's an adventure. One day, he heard actor Sacha Pitoëff on the radio explaining that his course was open to everyone. He calls her and arrives at the Campagne Première theater. “I probably needed another identity. For me, Pitoëff was a teacher, but also a father. A man". Through his contact, the applicant confronts the great texts and plays Pepel in Les Bas-Fonds. He discovered a passion for the acting profession. First jobs as extras. He does what he can with “his build”. He telephones Bertrand Tavernier: “We had a coffee together and we discussed cinema, that brought me a lot. I did the same thing with Bertrand Blier, who gave me books to read. The young actor searches for himself, launches into poetry, reads Pierre de Ronsard, Victor Hugo, Stéphane Mallarmé, Tristan Corbière, Max Jacob, and writes “I wrote sonnets, two quatrains and two tercets. I took my time. No more than three in the year. I also wrote short stories in prose. In my opinion." In the early 1980s, Jean-Roger Milo appeared in films such as Tir Groupé and Un Dimanche De Flic. In L'As Des As, he is part of the sports team alongside Jean-Paul Belmondo. Confined to the employment of the villain, the experience is painful. “Playing is always an act against one’s nature. Even those whose faces give off a hint of madness sometimes dream of a fireside role.” Cast in the film Rue Barbare, in 1984, he was injured in a fight while protecting a child before the start of filming and had to be replaced: this incident wrongly earned him a bad reputation in cinema circles and slowed down his career. . Jean-Roger Milo then reappears in the cinema in roles of varying importance. In Sarraounia, in 1986, he played Paul Voulet. He played colorful roles in L.627 (1992) by Bertrand Tavernier, and in 1993 he lost thirty kilos to play Chaval in Germinal by Claude Berri. His performance earned him a César nomination for Best Supporting Actor. He toured again under the direction of Berri, in 1997, in Lucie Aubrac, where he played Maurice David, a character closer to him. He will also play in popular films like Le Pari (1997) by Didier Bourdon and Bernard Campan and Astérix et Obélix contre César (1999) by Claude Zidi where he will lend his features to the blacksmith Cétautomatix. In 1999, he played one of the main roles in the television films Prison à Domicile and Les Sagards (1999) by Dominique Ladoge. Jean-Roger Milo then retired from cinema to live in the mountains. Gustave Kervern and Benoît Delépine tried to get him back on the screens in 2014 by giving him the main role in the film Near Death Experience but their contacts were unsuccessful. Jean-Roger Milo died on October 12, 2023 in Paris 15th, at the age of 66.
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