Isa, a young artist invited to propose a project for an exhibition, sets out to stage a dramatic adaptation of ‘The Posthumous Memoirs of Bras Cubas’, a satirical 19th-century novel by Machado de Assis. The rehearsal is marred by difficulties which the viewer must interpret as being due to the fact that Isa is a woman, young, black, all of the above, or as difficulties anyone would encounter.
Small-town trickster Pedro Malasartes has to face two great enemies: Próspero, who will do anything to impede such a lazy, cowardly person like Malasartes from dating his sister, Áurea; and Death incarnated, who wants to take a vacation after two thousand years collecting lives and intends on tricking Malasartes into assuming his tedious job.
Two years after leaving prison, Cadu sets out to fight corruption and pursue a political career, but dangerous ties to the past haunt him.
Cadu, an honest lawyer from the countryside of São Paulo, is about to become a father for the second time. However, his life is completely transformed when he falls into a trap and the police find a ton of marijuana in his house. Outraged by the injustice, he begins to act like the head of a drug cartel, exactly what they accused him of, in front of the criminals and murderers in the prison.
The story of Cadu, a public defender who sees his life change after being mistaken for a drug dealer.
A man bored with his reality, works in the São Paulo government censorship department, is married to Isabel, but falls in love with Dora Dumar, an actress of the films he has the obligation to censor.
Two lives look for meaning into a time that was lived, dreamed, and above all, felt.
By browsing this website, you accept our cookies policy.
