Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality. It is the story of strangers, auslanders who want to realize their dreams and ambitions outside their homeland. It raises topical issues of chauvinism, xenophobia and hatred of foreigners felt by both Germans and Poles.
Tomek comes from the so-called good family. However, she cannot find a common language with her parents. They are not very interested in what their child is doing. Tomek falls in love with nurse Ania, who becomes pregnant. He is friends with Mariusz, who is a member of his team. Mariusz lives in an orphanage. There he has problems with a certain drug addict. Tomek wants to help him, but his parents don't like it. They want Tomek to break off contacts with Ania and Mariusz. They believe that this is not company for their son.
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