Zhenya and Nadya go their separate ways. Nadya stuck with her bureaucrat boyfriend, married him and had a daughter, also called Nadya. Zhenya married and had a son, Konstantin. Both later divorced. More than 30 years later, Konstantin ends up drunk in the flat where the younger Nadya finds him. He is there as part of a convoluted ruse by his father's friends to get Zhenya back into the arms of the woman with whom he shared a magical night. The waylaid son is the bait to get Zhenya back to Leningrad, now called St. Petersburg. One romance is rekindled and another between the son and daughter is struck up.
It was a time with a rise of artistic life in the former capital of Russia. But the rise ended quickly and tragically with arrests and executions. Modern St. Petersburg and Petrograd of 1921 strangely and intricately intertwine in the mind of the director. The cruel, bloody, but romantic world of the first years of the Revolution converge with the artistic and domestic life of contemporary filmmaking on the same ground, on the same streets and squares.
In turbulent times for France and herself, the first minister of the Kingdom of France, Cardinal Mazarin, asked Queen Anne of Austria to give him the names of four friends who successfully helped her in the fight against Cardinal Richelieu. Under pressure from Mazarin, Queen Anne calls the name D'Artagnan, lieutenant of the royal musketeers. Mazarin calls D'Artagnan and orders him to find Athos, Porthos and Aramis in order to attract them to his service...
In the life of every working person, one day there comes a difficult moment associated with retirement. And if this is the head of the supply department of a large plant, to whom the heroine of the film devoted her entire life, it is doubly sad.
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