Documentary about the making of "Lady Frankenstein" and the directing career of Mel Welles.
Though legendary lyricist Howard Ashman died far too young, his impact on Broadway, movies, and the culture at large were incalculable. Told entirely through rare archival footage and interviews with Ashman’s family, friends, associates, and longtime partner Bill Lauch, Howard is an intimate tribute to a once-in-a-generation talent and a rousing celebration of musical storytelling itself.
A documentary filmmaker, who has spent the last 15 years making films like "Aluminum: Our Shiny Friend," is finally given the chance to make the documentary on Indian farming he has always wanted to. The catch? He must simultaneously direct a porn film. But as he tries to make the porn film, which he turns into a musical called "Halloween in the Barracks," he must deal with a temperamental actor, a fundamentalist preacher, and other obstacles.
An American narcotics agent takes her squad to Mexico, where she must break up a drug-smuggling gang that has also kidnapped her boyfriend.
Death of his wife's pet poodle and a threatening movie producer create a world of trouble for a middle-aged B-movie mogul. He hires two psychopathic goons to take care of it, which only creates more trouble and attracts the cops.
A group of teenagers that work at the mall all get together for a late night party in one of the stores. When the mall goes on lock down before they can get out, the robot security system activates after a malfunction and goes on a killing spree. One by one the three bots try to rid the mall of the “intruders.” The only weapons the kids can use are the supplies in other stores, or if they can make it till morning when the mall opens back up.
From Wikipedia, the free encyclopedia Mel Welles (February 17, 1924 - August 18, 2005) was an American film actor. His best-remembered role may be that of hapless flower shop owner Gravis Mushnik in the 1960 low-budget Roger Corman dark comedy, The Little Shop of Horrors (which featured Jack Nicholson as a masochistic dental patient). Not much is known of Welles' early life, except that he was born Ira Meltcher in New York City. He graduated from Mt. Carmel High School, in 1940. He went on to receive a Bachelor of Arts degree from Penn State University, a Master of Arts degree from West Virginia University, and a Ph.D. in psychology from Columbia University. Welles held a number of jobs during his lifetime; at one time or another he worked as a clinical psychologist, radio DJ, television actor, writer and film director. He did some stage work before traveling to Hollywood, where in 1953 he appeared in his first film, Appointment in Honduras. His favorite role (The Little Shop of Horrors) was also his last in the U.S. for many years. In the early 1960s, he left the United States to act, produce and direct primarily in European film productions including the cult horror films Maneater of Hydra (1967) and Lady Frankenstein (1971). His fluency in five languages proved to be most helpful. He also served as a film consultant. Later he returned to the U.S., appearing in a number of films, doing voice work, and teaching voice acting. Probably his most widely seen work in the late 1970's was his English adaptation of the Japanese television show, "Spectreman" which was seen on UHF and cable across the United States. While he shares writing credit with two other people, it's clear that most of the English voice work, and the offbeat humor, is his. In 1998, Welles took to the stage in a community theater production of Little Shop of Horrors (musical) as Mushnik, the role he created in the original Roger Corman film. Welles had never performed in the musical and was happy to be asked to do the role, which he described as a "mitzvah" for Scotts Valley Performing Arts. Jonathan Haze, who played Seymour in the original film, attended the opening, and Welles also received a visit from Martin P. Robinson, the designer of the Audrey II plant puppets used in the off-Broadway production (Robinson is also famous for his puppetry on Sesame Street). Welles was working on a horror screenplay, tentatively titled House of a Hundred Horrors, at the time of his death. Description above from the Wikipedia article Mel Welles, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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