The documentary explore the intersection between humor, satire, and religion, analyzing how they mutually influence each other. Through interviews with comedians, artists, and scholars, we will discover irreverent jokes, clever parodies, and bold caricatures that challenge religious dogmas, exploring the power of comedy within the context of religions and opening new perspectives on cultural dynamics.
The Right to Happiness centers on a small used book store in a small plaza in a small town with big vistas, somewhere in Italy. It sounds like a book lover's fantasy, and maybe it is. The bookseller, Libero, knows most of his rather eccentric customers and can barely bring himself to take their money (although fascists pay double). When a young boy, Essien (Didie Lorenz Tchumbu), an émigré from Burkina Faso, happens on the shop, Libero begins lending him books of increasing difficulty. From Pinocchio to Moby Dick, Essien can read as fast as Libero can lend, and the two form a bond over reading and meaning. "Books should be read twice," Libero says. "Once to understand them, and once to think." Life should probably be lived like that too, but the bookseller's name means "free," and freedom is what Libero bequeaths to Essien.
The Catholic Church secretly investigates Caravaggio as the Pope weighs whether to grant him clemency for killing a rival.
A journey through Greece and Europe’s past and recent history: from the Second World War to the current crisis. It is a historical documentary, a look into many stories. «If Democracy can be destroyed in Greece, it can be destroyed throughout Europe» Paul Craig Roberts
The Cinema Mexico is one of the last single-screen cinemas left in Milan. Its story is inextricably tied to the figure of Antonio Sancassani who ran it independently for the past thirty years taking care of every single aspect. At the cinema Mexico he presents independent films, debuts, films in original version, documentaries, forgotten films or films that have been "burned" by large-scale distribution offering them a second chance. The thirty-six years of the Rocky Horror Picture Show and two extraordinary years of The Wind Blows Round are only some of the successes that have made of the cinema a reference point for insiders from all over Italy. A passionate portrait that reflects on the fate of small cinemas and on the difficulties for independent cinema that is suffocated by the laws of the market, by online streaming and by the television.
“The Suppliants of Aeschylus were part of a trilogy consisting of Supplicants, Sons of Egypt and Danaids, followed by a satyr drama Amirnon. It was first performed at the Theater of Dionysus in Athens, probably in 463 BC."
Giulia has a one-night stand with a stranger to forget a heartbreak. Aimlessly walking through October city streets to let off steam, she meets a woman who came from Turin seeking an explanation from her partner, who doesn't even want to see her. The two join forces and settle accounts with him. Neither of them feels like going home and being alone, so they spend the whole night wandering around Milan.
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