The action begins at a meeting in a Voronezh hospital. Doctor Tatiana Bobrova is nervous - she needs to go home, but the head doctor won't let her go until all the issues are resolved. Finally, she manages to escape. Her husband, police captain Sergei Bobrov, who holds one of the key positions in the Internal Affairs Department, is waiting for her at home. He meets her with a stream of accusations, quickly drives himself into a frenzy and beats Tatiana, neatly bypassing her face and visible parts of her body. Tatiana got married three months ago, and two weeks ago had already suffered one beating. That time he apologized, swore that it would never happen again... Even then she had already considered running away, but did not have time to prepare properly. And now Tatiana decides to escape immediately.
A year and a half after her husband's assassination by a criminal gang, a death threat looms over Tamara. Her best friend Boris is also a police officer. Driven by a desire to solve the murder and his secret love for Tamara, he starts an investigation.
The first film in a trilogy about the Soviet-Ukrainian war of the early twentieth century. The film is about the fate of two young men who volunteered to defend Ukraine and were almost immediately captured by the Reds. It is about loyalty to ideals and unscrupulousness. The film perfectly captures the atmosphere of those times, especially noticeable among the local population, this typical Ukrainian farming "my house is on the edge" attitude. As the director said, he didn't try to figure out who was right and who was wrong, so there are no unambiguously good or bad characters in the film, neither among the Red Army nor among the Petliura members. Among the disadvantages are some sound synchronization and sometimes unreliable acting, but the plot is as engaging as any story about the difficult fate of Ukrainians. The plot is quite predictable, but it is no less interesting in its performance.
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