This documentary looks back on the life of legendary flamenco singer Camarón, who went from humble roots to rock star status to a tragic early death.
The documentary is a summary of Paco de Lucía's career, his art, his human category and his life, from his first artistic steps to his last professional steps, which have been marked by flamenco. Numerous testimonies and interviews carried out between 2010 and 2014 are exposed.
Throughout the streets of Huelva, a man with his guitar has been disambiguating for years, day and night he goes out into the streets to make a living asking for money in bars and terraces. His guitar almost never has the six strings, his hands are dirty, his mind long ago could not stand the life that he had to live, and he continues as he can stuck to that guitar with which he expresses himself continuously, indefatigable. That vagabond, an omnipresent street artist, is the "Niño Miguel", considered by many to be the best guitarist in the history of flamenco, a genius who revolutionized the guitar with only two records in the 70s, a source of inspiration for all other guitarists... a guitarist of guitarists, a living legend, a mystery, a misunderstood genius, excluded from society: The shadow of the strings.
Recorded live at Germeringer Jazztage, 1996 Program: Mi Nino Curro, El Panuelo, Alcazar de Sevilla, Playa del Carmen, Zyryab, Buena Buana King Kong
Francisco Sanchez: Paco de Lucia, is the definitive documentary on the myth of the flamenco guitar. It not only provides information about his life and musical art, but it also offers a previously unknown intimate portrait of the artist than makes us 'feel' and understand the human being beneath the world wide known genius. Retired in the Mexican jungle, Paco de Lucía shows in this program his creative doubts, the reasons for his silence and other secrets of his genius. It is the first time that the 'master' invites a television team to share with him a world tour and allows it to record his daily life in Mexico and his meetings with other artists, like Chick Corea.
Guitar Legends was a concert held over five nights, from October 15 to October 19, 1991, in Seville, Spain, with the aim of positioning the city as an entertainment destination to draw support for Expo '92 beginning the following April. The event featured 27 top guitarists, including BB King, Brian May, George Benson, Joe Walsh, Keith Richards, Les Paul, Robbie Robertson, Robert Cray, Roger Waters, Albert Collins, Steve Vai and Joe Satriani. The vocalists included Rickie Lee Jones, Bob Dylan and Joe Cocker. Five 90-minute shows and a one-hour documentary were broadcast. Forty-five countries showed at least one live show. Later, broadcasters in 105 countries broadcast one or more programmes.
Was filmed in October 16, 1991 at Expo '92. The concert is absolutely amazing! What a beautiful tribute to Miles Davis. • 1. All Star Jam: Opening/Medley • 2. George Benson (geb. 1943): All blues • 3. John McLaughlin (geb. 1942): In a silent way • 4. Larry Coryell (geb. 1943): So what • 5. Paco De Lucia: Concerto de aranjuez • 6. Stanley Clarke (geb. 1951): Tutu • 7. Stanley Clarke / Larry Coryell: School days • 8. Larry Coryell (geb. 1943): Bolero • 9. Paco De Lucia: El Panuelo • 10. John McLaughlin (geb. 1942): Que alegria • 11. John McLaughlin / Paco De Lucia: Zyryab • 12. Rickie Lee Jones / Larry Coryell: Dat dere • 13. George Benson (geb. 1943): Valdez in the country • 14. George Benson (geb. 1943): Being with you • 15. All Star Jam: Eighty one
Francisco Sánchez Gómez (21 December 1947 – 25 February 2014), known as Paco de Lucía, was a Spanish virtuoso flamenco guitarist, composer, and record producer. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Lucía as a "titanic figure in the world of flamenco guitar", and Dennis Koster, author of Guitar Atlas, Flamenco, has referred to de Lucía as "one of history's greatest guitarists". De Lucía was noted for his fast and fluent picados (fingerstyle runs). A master of contrast, he often juxtaposed picados and rasgueados (flamenco strumming) with more sensitive playing and was known for adding abstract chords and scale tones to his compositions with jazz influences. These innovations saw him play a key role in the development of traditional flamenco and the evolution of new flamenco and Latin jazz fusion from the 1970s. He received acclaim for his recordings with flamenco singer Camarón de la Isla in the 1970s, recording ten albums which are considered some of the most important and influential in flamenco history. Some of de Lucía's best known recordings include "Río Ancho" (later fused with Al Di Meola's "Mediterranean Sundance"), "Entre dos aguas", "La Barrosa", "Ímpetu", "Cepa Andaluza" and "Gloria al Niño Ricardo". His collaborations with guitarists John McLaughlin, Al Di Meola and Larry Coryell in the late 1970s saw him gain wider popularity outside his native Spain. De Lucía formed the Paco de Lucía Sextet in 1981 with his brothers, singer Pepe de Lucía and guitarist Ramón de Algeciras, and collaborated with jazz pianist Chick Corea on their 1990 album, Zyryab. In 1992, he performed live at Expo '92 in Seville and a year later on the Plaza Mayor in Madrid. He also collaborated with guitarist Juan d'Anyelica on his album Cositas Buenas. After 2004 he greatly reduced his public performances, retiring from full touring, and typically only gave several concerts a year, usually in Spain and Germany and at European festivals during the summer months. Paco de Lucía was born on 21 December 1947 as Francisco Sánchez Gómez in Algeciras, province of Cádiz, in southern Spain. He was the youngest of the five children of flamenco guitarist Antonio Sánchez Pecino and Portuguese mother Lúcia Gomes; his brothers include flamenco singer Pepe de Lucía and flamenco guitarist Ramón de Algeciras (now deceased). Playing in the streets as a young boy, there were many Pacos and Pablos in Algeciras. In Spain and Latin America, any of these children with common first names would be referred to as follows: '"Name of Child", (son or daughter) of "Name of Mother"', or "Paco (son) of Lucía" in his case, instead of using the child's last name. Later, after learning to play the guitar and tasked with figuring out a way to bill himself, wanting to honor his Portuguese mother Lucía Gomes, he adopted the stage name Paco de Lucía. ... Source: Article "Paco de Lucía" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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