Filmed over the last six months of the 2000 Presidential election, Phillip Seymour Hoffman starts documenting the campaign at the Republican and Democratic National Conventions, but spends more time outside, in the street protests and police actions than in the orchestrated conventions. Hoffman shows an obvious distaste for money politics and the conservative right. He looks seedier and more disillusioned the campaign progresses. Eventually Hoffman seems most energized by the Ralph Nader campaign as an alternative to the nearly indistinguishable major parties. The high point of the film are the comments by Barney Frank who says that marches and demonstrations are largely a waste of time, and that the really effective political players such as the NRA and the AARP never bother with walk ins, sit-ins, shoot-ins or shuffles. In the interview with Jesse Jackson, Hoffman is too flustered to ask all of his questions.
An intimate portrait of the photographer and the complex, enigmatic pictures she takes of her children.
No one would accuse director Anthony Thomas of presenting an unbiased view of religious fundamentalism in this film, which won a Special Grand Jury Prize at the Sundance Film Festival. Intent on exposing what he perceives to be a dangerous connection between the religious and political right, Thomas interviews born-again Christians and then directs his lens on Heritage USA, the religious complex established by Jim and Tammy Faye Bakker.
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