Ramona is fat woman with too much weight and barely any luck. She recalls a childhood filled with moral abuse by her mother, sister and friends, calling her silly offensive names referencing her overweight. When she became an adult, things didn’t really get any better. She’s fired for being fat, she wants a liposuction but the doctor informs her she’s not a candidate due to her overweight, and all her universe seems to be collapsing after a series of unfortunate events. But everything will soon get better thanks to some magical beetles she finds in a Tarot café.
In an attempt to solve their marriage problems, Eric and Mari take a trip to the Mexican southeast, but she disappears under mysterious circumstances. On his way back to Mexico City, Eric meets Narciso, a mysterious man, and gives him a ride. Eric describes a series of events which finally lead him to a revelation about the time he shared with Mari.
Casa Colorada is a hotel where love and revenge converge. Three women will take us to the most intimate of their lives and that of their guests, to their loves and heartbreaks. Through them we will witness that the bond of friendship is more powerful than your fears, disappointments and even your own passions.
Luisa and Tomas try to save their relationship by avoiding their differences and clinging to the love they have for each other. Everything starts disintegrating when they realize that love is not enough.
Amar de Nuevo is a Spanish-language telenovela produced by the United States-based television network Telemundo and Promofilm.
A love story turned assassination against the backdrop of the 1968 student massacre whose unresolved status is finally resolved in tense life threatening conditions. The story of a stubborn journalist who undertakes the clarification and bringing to justice of the heinous murder of one student forty years later represents a dedicated effort to force a country from denial to reconciliation and closure of tragic social and political events in a country´s history. A nation cannot allow official cover-ups that seek to delete and erase from the collective memory events that prevent a nation´s march towards social justice.
Ella – well she has a name too – Luna (Patricia Garza), is actually about her much older husband and painter Alfredo (Paul Vega), and his choice of actions/reactions after she decides to leave him for a lover that he wasn’t aware of. Alberto has been going through a creative crisis and is under pressure to complete a series of paintings for a forthcoming show. It is nevertheless also plain to see that he’d been treating Luna, who’s also his model, largely as an object of desire and obsession – capturing with camera her every movement in the house when she’s not posing for him, and memorising her every physical feature, moles and warts included – he’d apparently counted twenty seven moles on her body. When Alfredo tracks down and entraps the lover she’d wanted to elope with (Rómulo Assereto), he’ll discover that they both have more in common than merely desiring the same woman…
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