Mimma starts working in Madame Colette’s brothel to help her boyfriend financially. There she is rechristened “Paprika,” and falls in love with her first client, naval officer Franco. Despite this attraction, she begins her climb through the sex trade, residing in Italy’s most illustrious brothels.
As part of a science experiment, a man has spent a record-breaking length of time alone down a hole, but an hour before he's due to re-emerge, something goes wrong and his colleagues have to go in to rescue him.
A prostitute is brutally killed by the road side by a maniancal killer. Nearby a horror film is being produced but the director is worried that the script is too passé for a modern audience and so he plans to include a séance scene - he hires a real medium to carry out a ceremony with the cast and crew to help inspire the script but she is attacked by an evil spirit. Meanwhile members of the cast are being picked off one by one and police detective Walter is desperate to stop his girlfriend, the lead actress Jennifer, becoming the next victim...
After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf. He then fakes documents to get a new job, but in the end he becomes a hypochondriac and doesn't even take a long-awaited chance with Miss Silvani.
Lewis Collins is back to leading mercenaries on the move in Southeast Asia. This time the cast is unusually good including Lee Van Cleef, Brett Halsey (Cop Game), Romano Puppo (Robowar), Mike Monty (Raiders of Atlantis), Bobby Rhodes (The Great Alligator), etc. Anyway, Van Cleef has Collins go on some random mission to locate a disc with all sorts of valuable crazy intelligence data on it. It just happens that Donald Pleasence, a random government official, hires another mercenary-for-hire Manfred Lehman to tag along and make sure the data ends up in the right hands. Van Cleef isn't taking any chances, and since he is crooked and murders Collins's other bosses quickly, he places Romano Puppo in the group as well to make sure the operation runs smoothly. Collins may not be too expressive but at least he seems to figure out quickly who's out to get him, so the mission continues with lots of double-crosses, twists and turns, and of course lots of explosions!
The misadventures of different Italian rascals who came to the famous Montecarlo Gran Casinò to get lucky.
Phil Stone steals in North Africa, where he is with the fidanzara, a precious ring, because he needs money in order to return to the United States, but is arrested, sentenced to a harsh punishment. An agreement with the prison director who promises freedom in exchange for the discovery of the treasure of Cleopatra that should be buried in the vicinity ...
A partially paralyzed teenager is failing to have sex for the first time. He's eager but clumsy and sickly, so the local country girls reject him. He starts to realize that the only affectionate person in his life is his beautiful mother.
Let's Hope It's a Girl is a multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.
Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.
Paul Konrad Müller (born 11 March 1923) is a Swiss former actor who has appeared mostly in Italian films. His motion picture acting career in Europe spanned a period of 51 years. In 1941/1942 he studied acting at the “Conservatoire National Supérieur d`Art Dramatique” in Paris. Until 1944 he had different engagements at theatres in Paris, e. g. “Theatre Pigalle”, “Salle Pleyel”, “Theatre des Ambassadeurs”. From 1944 to 1946 he was called up for military service in the French Army in Indochina shortly before the First Indochina War took place there. He caught malaria during that time and, in consequence of the disease, was left hard of hearing. From 1947 to 1948 he had different engagements at theatres and touring companies not only in France, but also in the French part of Allied-occupied Germany and in Florence, e. g. “Tournée Spectacles Moyses”, Teatro della Pergola. He acted, inter alia, under the direction of Georges Douking. His first film role came at age 25 in Ruy Blas (1948). Paul Muller appeared in over 230 films since his first role in 1948. He spent most of his life by working in Italy, his main country of residence. He worked over more than 60 years with most of the well-known European actresses and actors of classic cinema and with some famous names of the Cinema of Italy like Roberto Rossellini, Carlo Ponti, Federico Fellini, Mario Bava, Sergio Corbucci, Michelangelo Antonioni. He also made his appearance in films under the direction of Veit Harlan, Artur Brauner, Jesús "Jess" Franco, René Clément, Michael Curtiz, Richard Fleischer, Jean-Pierre Mocky and many others. (Jesus Franco alone co-starred him in no less than 18 films). Source: Article "Paul Muller (actor)" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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