Martin, a homosexual widower and whimsical of fifty years, sees itself propose to contract a marriage white with a Congolese of twenty years, Tamara. These two beings that everything separates are going to believe in their love against the authorities of migration and to force to pretend.
Perhaps the most ebullient “musical” you’ll see this year, Marc-Henri Wajnberg’s singular documentary/fiction hybrid follows a group of street children in the Congolese capital.
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