Kiia and Lauri, speeding toward the hospital overnight. Kiia in pain, holding the wheel with one hand and another in his stomach - the birth has started ahead of schedule. Surprisingly, the vehicle collides with something. Kiia fright and brakes, the car swerves before coming to a stop. Lauri rises to the car to check the situation and says he did not see anything. Kiia give birth to a healthy child in the hospital and befriends Hannah with. Hanna's husband has been in the same region hit by a car and drove onto the driver fled from the scene.
Interwoven with scenes that are meant to grab attention by their stunning composition, this biographical look at Finland's violinist Arto Arsi is not so much a narration of his childhood and early years, as an attempt to artistically show what was happening inside his psyche during that time. Literally sold to a master teacher, Sergei Rippas (Tarmo Manni) by his mother when he was still a child, the violin prodigy was forcefully and strictly raised to practice, practice, and perfect his technique. Once an adult, Arsi finds a way to escape the rigors of a U.S. tour and drowns his overworked self in drink, or seeks out one-night stands, or otherwise lets off steam. The tightly-wound spring that has been coiled since he was forced into his grueling training and work sessions -- shown through symbolic images -- eventually snaps in a healthy way, freeing Arsi at last to continue on, simply for the love of music.
By browsing this website, you accept our cookies policy.