Mumbai-based Saxena family consists of Professor Nirbhay, his wife Preeti, their school-going daughter Ritu and Nirbhay's college-going brother and sister, Vijay and Suman respectively. Vijay meets with fellow collegian Honey, and after a few altercations, they fall in love with each other. Vijay is introduced to Honey's maternal uncle, Bhagwandas, and he approves instantly. Honey's long-estranged brother, Kanhaiya, re-enters her life and asks her not to see Vijay anymore. Then the lives of the entire Saxena family change drastically when money allotted for Suman's marriage is stolen, and Vijay accepts a contract to kill a man named Gulla - not knowing that he is being set up to kill none other than Nirbhay himself.
The Verma family consists of two brothers, Vijay and Sharad (Jeetendra and Govinda respectively), Vijay's wife, Ganga (Reena Roy), and their daughter. Sharad is unmarried and is studying in college, while Vijay runs the household on his income. In college, Sharad meets with Punam (Meenakshi Sheshadhri) and both are attracted to each other. Ganga and Vijay get them married, but permit them a married life only after they complete their studies, which they do so. They are devastated to learn that Punam cannot be a mother, so Ganga lets Punam mother her child. Soon Sharad gets a job, which gets him to re-locate to another city, and there are tearful good-byes. Punam decides to keep Ganga's child with her. But Ganga has been kind to Punam and Sharad for a reason, and now the time has come for payback.
When Raja discovers his face is identical to a wealthy and successful doctor he manages to take his place, but soon he discovers that success is no guard against problems.
Near India and Pakistan's border-town of Fatehpur, lives Ranjit Singh Choudhary who has been labeled as a rebel by his schoolmaster and his dad, Makhan's employer, Bade Thakur, as he could not stand the injustice that was meted to farmers like his dad, and his ancestors who had become economic slaves to the upper-caste Thakurs, who loaned them some money, ...
Reena Roy was a famous leading lady of Hindi films from 1972-1985. She came from a broken home, a Muslim father and Hindu mother, who separated after having four children together. Reena is their third child, and she started films in her early teens. Her career in films started off inauspiciously with B.R. Ishara's "Nayi Duniya Naye Log" (1973) with another newcomer Danny Denzongpa, which was shelved temporarily. B.R. Ishara cast both actors again in "Zaroorat" (1972), along with another newcomer Vijay Arora, and the racy film became a hit. Reena was now called the "Zaroorat Girl." She had to wait a while for her next break with Jaise Ko Taisa (1973), where her rain-soaked dance to the song "Abke Sawan" with Jeetendra raised temperatures. She was a working actress with films like Jangal Mein Mangal, Rani Aur Lalpari, Madhosh, Goonj, and Umar Qaid, but most didn't make an impact, until the mid-1970s, when Zakhmee (1975) and "Kalicharan" (1976) made her more popular among directors and audiences. Initially, there was low expectations with Kalicharan, since Subhash Ghai, a failed actor, was making his directorial debut, and Shatrugan Sinha, an actor known for his villainous roles, was making his first mark as the lead hero. But the film defied everyone's expectations and became a surprise hit, and Reena as Shatrugan's love interest got attention from audiences. They became a off-screen pair as well, and they signed several films together. Her pairing with Sunil Dutt was also popular with audiences. The successes of "Zakhmee" and "Kalicharan" led to her star vehicle Nagin(1976). Playing the title role of the deadly 'Nagin', she avenges the death of her lover by ruthlessly murdering five leading male-stars. The film became a huge hit, and Reena received her first Filmfare nomination as Best Actress. She was now one of the top heroines in Hindi films. Raj Kumar Kohli worked with Reena and churned out greatest multi-starer blockbusters Nagin, Jaani Dushman (1979), Muqabla (1979) and Raaj Tilak (1984).
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