Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
In 1998, documentary filmmaker Robert Drew and his associates attend the Museum of Tolerance.
In the year 2000, Les Blank, along with co-filmmaker Gina Leibrecht, visited Richard Leacock (1921-2011) at his farm in Normandy, France and recorded conversations with him about his life, his work, and his other passion: cooking! With the flair of a seasoned raconteur, Leacock recounts key moments in his seventy years as a filmmaker and the innovations that he, D.A. Pennebaker, Albert Maysles and others invented that revolutionized documentary filmmaking, and explores the mystery of creativity. With the passing of both Blank and Leacock, the documentary is a moving insight into the lives of two seminal figures in the history of film.
In January 1989 the first Message to Man International Film Festival took place in Leningrad. This film, made during the festival, is a record of its events, guests and participants, such as the American director Leo Hurwitz, the Latvian director Ivars Seleckis, and the ballerina Natalya Makarova, among others. It also shows the “engine room” of the festival: the work of the main office and the PROKKa professional cinematographers’ club, guests being greeted and seen off. A charity evening with Natalya Makarova, a memorial service to commemorate the victims of the war and excerpts of documentary films presented at the festival are also featured.
Richard Leacock (July 18, 1921 – March 15, 2011) was a pioneering American-born filmmaker, widely regarded as one of the founding figures of the cinéma vérité movement. He was a key influence on the development of observational documentary filmmaking, known for his innovative use of handheld cameras and his emphasis on capturing spontaneous, real-time events. Leacock's most notable works include Primary (1960), which followed John F. Kennedy and Hubert Humphrey during the 1960 Democratic primary campaign, and Chronicle of a Summer (1961), co-directed with Jean Rouch, a landmark film in the cinéma vérité genre. Throughout his career, Leacock collaborated with other influential filmmakers, including Robert Drew and D.A. Pennebaker, and helped shape the way documentaries were made. His legacy continues to influence contemporary documentary filmmakers.
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