A bloody thriller (sort of Agatha Christie does The Twilight Zone) morphs into its own “making of”, a really talky one - a conversation about film, about fear, about fiction. The type of film where the less you know, the better. The title is almost a malaprop - a better one would’ve been F for Fake, but it was already taken. Howard Hawks said that a great movie needs three good scenes and no bad ones. This movie has only three scenes - so there you go.
Five old friends spend a few days together in the resort they used to go in their youth. One of them will bring news that will perturb their holiday.
1963. The young nurse Anna begins working in the juvenile ward of a mental hospital. There she meets Lucia, a fifteen-year-old schizophrenic. Against the backdrop of a struggle between Dr. Marie and the rigid Dr. Oreste to reform patient treatment, a relationship between Anna and Lucia develops, forcing them to make decisive choices for their respective lives.
A Romanian police officer, determined to free from prison a crooked businessman who knows where a mobster's money is hidden, must learn the difficult ancestral whistling language (Silbo Gomero) used on the island of Gomera.
Four people meet in a bar. Two of them know exactly why they are there. The third has a pretty good idea. The fourth is in for a bit of a shock...
When a couple returns to their apartment building on Christmas Eve, they find a man dressed as Santa Claus trying to break into their neighbor's apartment.
Hawaii is a story on the struggle of inheriting $3 million in communist-era Romania when owning $1 could mean losing your freedom and touches on the theme of how money could buy if not happiness, at least the freedom to choose unhappiness.
Adrian, a man from a provincial town, has decided to start a new life as a monk. The mayor, the policeman and the leader of the Christian Youth Association accompany their friend on his way to the monastery.
Filip and Horia are two teenagers who seem like two usual friends, but after they spend the night in Horia's cabin, they discover their mutual attraction and they engage in an affair. After a car stops by the cabin, the two realize that they've become witnesses to a multiple homicide. Being afraid that by confessing, their relationshop will surface, the two choose to remain silent, but their secret will become harder and harder to keep and they'll find themselves in a frightening series of events.
Rodica Lazăr graduated from acting section of UNATC in 2001 and she is hired at Bulandra theater at the same year, where she works to this day. Her first big movie was in 2002 when she worked with Costa Gavras on "Amen".
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