History of modern Greece, so full of adventures: division, national turmoil, disaster, occupation and dictatorship together with the everyday stories of two families and the persons around them, their desires and destinies, through the eyes of a painting that changes hands and owners οver the years.
The Recorder, the keeper of Epameinondas's mind, documents his moments on on little notes. Encouraged by his best friend Yiannis, Epameinondas sets out on a hike to escape the weight of a recent breakup. As time flows by, he becomes a father, only to later find himself battling dementia in a nursing home. The Recorder's room is now in a state of danger. Yet, the hike goes on.
Fanny, a young nurse working at a big public hospital, is trapped every night in the same obsessive nightmare. She dreams she turns into a tree. While stuck to a lonely everyday routine she realises that her nightmare goes beyond the imaginary and gradually infiltrates her life.
A coming-of-old-age story of an eccentric Tailor who doesn't quit fit into the world and has isolated himself into the attic of the family's tailoring shop. On the verge of losing everything, he finally gets triggered: with a wondrously strange bricolage coach-a tailor shop on wheels- he reinvents his life and his craft. He changes the brides of Athens and falls in love for the first time in his 50s.
Marialena is on the phone with Magda. The two sisters are on their way to the funeral of their mother.
Babak, an Iranian student in Greece, doesn't show up to welcome his visiting parents at the Athens airport. Pari and her older husband, both devout Muslims abroad for the first time, are ill-prepared to search for their son in an intimidating and alien environment. All their attempts to find a clue that might lead them to him prove to be in vain and they soon reach a dead end. But Pari can't give up looking for him, even when returning to Iran seems like her only choice. Following the steps of her rebellious son in the darkest corners of the city, she will exhaust her inner strength to achieve more than a mother's search for her missing son.
Two young women convince each other they are under threat after accidentally photographing what they believe to be a concealed automatic rifle. Shot in drawn-out, static takes, Emma Doxiadi’s comical mystery comments on Greece’s ongoing refugee crisis in real time, pointing squarely at foolish knee-jerk reactions.
An old ill man, the young woman who looks after him and his unemployed middle-aged daughter, are tasked with taking God's place, who appears to be absent.
A sexist violence incident fires tension in Danai's friendship with Ilona and Toufa. Torn between theory and practice, the three friends realize that patriarchy won't die with bottles (only), and they now have marks to prove it.
After answering an ad on a dating website for Eastern European women, Olla leaves Ukraine and heads to French suburbia to move in with Pierre, who lives with his elderly mother. However, the suburbia cannot temper her desires, and nothing goes as expected.
Romanna Lobach was already acting in films at 11 years old and by 2013 she had graduated from Athens Conservatoire Drama School with a B.A. in acting. She has performed in over 25 feature films and shorts that have premiered in festivals such as Cannes, Venice, Rotterdam, and New York, among others, winning awards at festivals in Greece and abroad for some of her most recent work; Olla (Ariane Labed, 2019), I don't want to forget anything (Vaggelio Soumeli 2021) and March 4 (Dimitris Nakos, 2015). Her work at the McCann advertising agency as a copywriter and also working for various production companies in a multitude of different posts, equipped her with invaluable experience and training. In 2018, she founded AKRAN Creative Company, a boutique production house where as a producer and creative director she's developing multiple projects with emerging directors of bold and unique voice. The past two years, she attended European Short Pitch, Torino Short Film Market, Brussels Co-Production Forum and Crossroads Co-Production Forum at Thessaloniki IFF with projects in development, while she has finished 9 films in two years, with the most recent of Manolis Mavris, Midnight Skin, which premiered in 62nd Semaine de la Critique in Cannes 2023. Romanna is an alumna of Berlinale and Sarajevo Talents, Locarno Industry Days and New Producers Room in Cannes Court Métrage, spotlit producer at Marche du Film 2023 and a member of the Hellenic Film Academy and Hellenic Producer's Association.
By browsing this website, you accept our cookies policy.