Désiré Landru - husband, lover - and murderer. Based on documented facts, this is the full story of one of the most ambiguous criminals and lovers of the 20th century, the first modern serial killer.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.
Fred Astaire-fan Clément invites comic-book artist Luc to Sunday dinner with Clément and his wife Violette. Luc's girlfriend Margot announces her pregnancy, prompting Luc to forget about the invitation, but Clément insists that Luc join him. After Luc arrives and sees that Violette is only a life-size plastic doll, he decides to leave but gets clobbered on the head. Awakening, he finds he's been handcuffed to the bathroom sink and gagged. Cruelties ensue, with crazed Clément getting visionary advice from both Astaire and Violette.
In Paris, near the end of World War II, crotchety professor Fernand Bonnard maintains a zoo and continues his research. He's a coward, as is his debonair son, Armand, who has one daughter, Philippine. On her eighth birthday, Armand picks her up from her repressive boarding school and takes her to Fernand's to celebrate. Father and son quarrel, and Armand leaves, only to be arrested and shot for violating curfew. In grief, the curmudgeonly Fernand does not tell Philippine, but invents a life for Armand as a captain of the Resistance. Fernand takes her from school to live with him and his sensible wife. Along the way, Philippine finds out the truth and Fernand discovers courage.
Monique Zimmer, in her sixties, killed her lover, Oscar Foulard, cut up the body of the corpse, and is now walking with a suitcase containing Oscar's trunk. This one continues to speak, and comes to testify during the trial of his widow.
Photographer Maurice Martin turns into a woman named Héloïse every night at 8 p.m.
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