The views and thoughts of Canadian writer Margaret Atwood have never been more relevant than today. Readers turn to her work for answers as they confront the rise of authoritarian leaders, deal with increasingly intrusive technologies, and discuss climate change. Her books are useful as survival tools for hard times. But few know her private life. Who is the woman behind the stories? How does she always seem to know what is coming?
Using rare footage and exclusive interviews with filmmakers from all over the globe, "Reel Herstory" corrects the historic notion that women behind the scenes in motion pictures held peripheral careers compared with their male counterparts.
Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism. Named "Dren", the creature rapidly develops from a deformed female infant into a beautiful but dangerous winged human-chimera, who forges a bond with both of her creators - only to have that bond turn deadly.
Nemo Nobody leads an ordinary existence with his wife and 3 children; one day, he wakes up as a mortal centenarian in the year 2092.
This is an all new feature length documentary, with interviews from almost everyone involved with the production of the film. Gilliam never shies away from the truth, even when it comes to himself, and so this documentary is self-effacing and refreshingly frank. The documentary details not only the battles Gilliam had with Columbia in getting the film finished and released, but also the imagination and innovation that went into the production.
Adapted from David McCullough's Pulitzer Prize-winning biography, this lavish seven-part miniseries chronicles the life of Founding Father John Adams, starting with the Boston Massacre of 1770 through his years as an ambassador in Europe, then his terms as vice president and president of the United States, up to his death on July 4, 1826.
A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.
Shane Bradley, who is fixated on ideas of luck and destiny, tries to win the girl of his dreams. After their relationship falters, Shane begins to think he might be unlucky and turns to gambling as an outlet for his obsession.
When Simon awakens in the hospital after surviving a near-fatal accident, amnesia has erased the last two years from his memory. He learns that his brother was killed, he has married a woman he doesn't remember and he's haunted by strange visions of the woman he loved.
Sarah Ellen Polley OC (born January 8, 1979) is a Canadian filmmaker, political activist and retired actress. She first garnered attention as a child actress for her role as Ramona Quimby in the television series Ramona, based on Beverly Cleary's books. This subsequently led to her role as Sara Stanley in the Canadian television series Road to Avonlea (1990–1996). She has starred in many feature films, including The Adventures of Baron Munchausen (1988), Exotica (1994), The Sweet Hereafter (1997), Guinevere (1999), Go (1999), The Weight of Water (2000), No Such Thing (2001), My Life Without Me (2003), Dawn of the Dead (2004), Splice (2009), and Mr. Nobody (2009). Polley made her feature film directorial debut with Away from Her (2006), for which she won the Canadian Screen Award for Best Director and was nominated for the Academy Award for Best Adapted Screenplay. Polley's second film, Take This Waltz (2011), premiered at the 2011 Toronto International Film Festival, followed by her first documentary film, Stories We Tell (2012). She also wrote the miniseries Alias Grace, based on the 1996 novel of the same name by Margaret Atwood. In 2022, Polley wrote and directed the film Women Talking, based on the 2018 novel of the same name by Miriam Toews, for which she won the Academy Award for Best Adapted Screenplay. Description above from the Wikipedia article Sarah Polley, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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