A young, unnamed Ivorian intellectual returns home after a lengthy spell in France. Failing to reconcile his new-found modernist views with his African traditions, and obsessed with his sexual inhibition, the man becomes haunted by the specter of a knife-brandishing woman threatening to shatter any potential relationships with other women.
Tahar Cheriaa: Under the Shadow of the Baobab documents the career of one of the core fathers of Pan-Africanism and founder of Africa’s first film festival, the Carthage Film Festival. After Tunisian independence, Cheriaa used all his energy to bring the first authentic images of postcolonial Africa to broader audiences. The film depicts Cheriaa’s ideas and projects, with interviews and archival material creating a complete portrait of the man and his fight for both Sub-Saharan African cinema and African cinema as a whole.
Timité Bassori is an Ivorian filmmaker, actor, and writer. His lone feature-length film, The Woman with the Knife (1969), is considered a classic of African cinema,[3] and is slated to be restored as part of the African Film Heritage Project, an initiative to preserve 50 African films through the collaboration of the groups FEPACI, UNESCO, Cineteca di Bologna, and Martin Scorsese's The Film Foundation.
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