Vladmir Bobylev goes on leave for his 60th anniversary. He takes his wife and son and heads for his native town Kholmy, where he stops with his family at his battle comrade, who suggests a trip to their battle places. The old man agrees almost without hesitation, for after the war hes never been there. They get acquainted with German tourists, and it turns out that one of them also fought here as an officer in the Army of fascist general Paulus.
The young artist Burtsev goes to Paris about the inheritance left to him by his uncle, who left for France with the first wave of emigrants. There, he is expected by the hostility of some persons interested in the inheritance, and the open sympathies of others - the old man Yerikhonov and his daughter Asya, who fell in love with Burtsev.
Praised for its fine photography and production design if not its narrative, Sergei Bondarchuk directed this adaptation of the tale by Alexander Pushkin. Boris Godunov came to the Czarist throne at the end of the 16th century, after the original heir to Ivan the Terrible had died. At first, things went well for Godunov (played by Bondarchuk), but when the Russian people began to believe he had killed Ivan the Terrible's son in order to gain the throne, an alliance sprang up against the new Czar. Events continued to spin out of control as a young monk was presented as the son Godunov had supposedly killed. Now he was openly accused of failing an assassination attempt, which seems to be even worse than succeeding. In addition to these woes, Boris Godunov began to suffer serious health problems. So much for the joys of kingship.
By order of General Sytko, a rock ridge explodes during the construction of an important strategic facility in the desert, leading to human casualties. And now General Nesterov will have to mobilize people in the difficult conditions that have arisen and cope with the task in a short time.
At the beginning of the 1941 war, a young talented artist Igor and his theater were evacuated to Tashkent. Here he meets music teacher Olga, who is seriously ill with malaria. Igor understands that only treatment in the capital will save the girl. But they are allowed into Moscow only on special passes. And then Igor almost by force drags Olga to the registry office. Feeling responsible for the girl, Igor begins to patronize her more and more...
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