In a society where creativity is suppressed, a grieving ex-singer uncovers a comic hero’s hidden truth, sparking a musical journey of defiance and self-discovery against a repressive regime.
An uptight cinephile on a first date imagines all the ways he'd shut an obnoxious cinema-goer up.
Filipino-born Ella works as a nanny in a prosperous Moscow family. Day by day, she carries out the same routine actions: washing, cooking, cleaning, babysitting. But once she accidentally hurts her arm, her smooth repetitive life gradually gives a lurch…
This intimate documentary explores a bygone era of cinematic passion and the emergence of young film enthusiasts in South Korea, including Bong Joon Ho.
In a small town of 1960's India, where cinema is forbidden for women, a 14-year-old embarks on a quest to watch her first film.
In the 1970’s, a group of high-schoolers, obsessed with Star Wars, picks up an 8mm camera and attempts to make their own sci-fi film.
A lonely man, who spends all his time watching films, finds a way to get his hands on a copy of the lost film Cleopatra (1917), but will he be able to pay the price?
Gaya sa Pelikula (Like in the Movies) is about Karl, a 19-year old architecture student in the middle of an identity crisis and Vlad, a schoolmate on the run from his own family. As their lives become entwined by fate making them housemates over the semestral break, Karl and Vlad come to learn more about each other and themselves than they could have ever imagined.
Since his father's death, Bruno divides his time between his duties as a student and his love of cinema. When he finds an old super8 camera belonging to his father, he changes his perception of the world in which he lives.
He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.
When an unexpected snowstorm strikes Seattle, the dead rise from their graves to prey on the city's helpless citizens. From the confines of their living room, a group of unlikely heroes emerge to stop the flesh hungry hordes, only to discover that zombies aren't the only evil they are up against.
A young lunatic director and his devoted cult of cinema terrorists kidnap a Hollywood movie goddess and force her to star in their radical underground movie.
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