A band of fearless chickens flock together to save poultry-kind from an unsettling new threat: a nearby farm that's cooking up something suspicious.
In this reflective short film, the Weeknd speaks to his younger self, encouraging him to ask questions about the future and remember the light before it's all gone.
"Red Terror" visual picks up where "Open Hearts" leaves off. The Weeknd is portrayed as a mouthless child who appears to be chased by monsters through an ominous forest as he tries to shed his original form.
A group of girls get revenge on the local murderous pervert who has kept them hostage in his basement for weeks.
Mid-wedding at a Vegas-style chapel, a celebration comes crashing to a halt when the iconic, deceased pink poodle Poolvis Poodle’s greedy Estate steps in and shuts it down.
A naive love story based on the hits of Alla Pugacheva in folk interpretation. A young officer fervently falls in love with a provincial actress who loves only flowers.
The performance serves as a prequel to "Red Terror", ending with The Weeknd following a toddler version of himself out into the forest.
An experimental animation about an old man who has to complete food challenges in order to escape from his nightmare.
Embark on a haunting journey with 'Threads,' a Claymation body horror directed by NOFAC3. After an exhausting day of stitching, Siouxzie falls asleep only to awaken to a horrifying reality—a parasite has invaded her body, multiplying and wriggling under her skin. In a desperate attempt to regain control of her own body, she resorts to a shockingly macabre solution – one that would forever redefine the delicate fabric of her existence.
A couple of robbers flee from the police after robbing a bank. Their car breaks down and they are picked up on the road by three touring musicians in their van. They stop in a forest for the night and decide that each musician has to tell a horror story by campfire light. The one who tells the bloodiest story will stay alive.
The first instalment of the creepy horror anthology claymation series "Spook Train."
Ashley sees strange things and receives a mysterious message that leads her to enter another world of both wonder and horror. She must find her way through a series of quadrants, battle her inner demons, and transform into who she is destined to become.
The Looter is the only human among aliens. Together with his native cohort Drake, he struggles to survive within the bizarre landscapes of Rarc, an inescapable planet that has been colonized by many other bizarre sophonts.
When my dad was just nine years old, he conceived the narrative of his very own horror film. Little did he know that decades later his terrifying vision would finally be brought to life...
Early experimental claymation. This is the first and longer version of the film, which was later re-created from scratch. Created 1966, released 2022. "I was 13 and had seen the amazing "abstract jazz claymation: short, CLAY, OR THE ORIGIN OF THE SPECIES by Eliot Noyes. I was totally copying that film when I made this. I entered this film in a local high school film festival, won first place, and got the attention of Larry Herndon of Keitz and Herndon, a Dallas animation company. Herndon set me up with a 35mm camera and professional lights, and had me reshoot the claymation. By this time, I had forgotten about Nosey' film and that I had simply imitated it. So, for the 35mm second version, I THOUGHT I was just imitating myself. That second WAD was entered (by the National Information Agency, a branch of the CIA) in foreign amateur film festivals all over the world and won yet more awards."
A child is lured out of his home, kidnapped and held captive in the small cell in the basement of a church-bunker by three pedophile priests. One night a mysterious visitor opens the cell door and leaves him a sack full of Christmas presents.... The Film was published as a segment of "Deathcember" but was banned from the VOD Releases by the US Publisher in UK and the USA.
Humans encounter various monsters, but each encounter has a consequence.
This stop motion animation exposes that big elephant in society’s room that expects us all to fit into a predetermined box of ‘normality’ and delicately reveals the return to joy when we are able to embrace ourselves exactly as we are.
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