Suddenly summoned to a fantasy world and betrothed to the princess, Kazuya Souma is crowned the new king. Unlike the royalty before him, he won’t be using swords and magic to rule; will administrative reform really get this kingdom back on track?
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
Explore the rise and fall of one of the biggest corporate flameouts and venture capitalist bubbles in recent years – the story of WeWork, and its hippie-messianic leader Adam Neumann.
How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.
In an audacious campaign to demand better borrowing, Michael Sheen buys £1m of debt from hundreds of people in Wales, and then he writes it all off
In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.
In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.
Things are busy at the Paris hospital where young psychiatrist Jamal and his colleagues work. The place is run down, the staff are exhausted, budgets are constantly being slashed. You know the story, but you’ve rarely seen it conveyed as engagingly as in ‘On the Edge’, which employs a handheld camera and meaningful, artistic interventions to observe the daily routine at the psychiatric ward. The deeply sympathetic Jamal is an everyday hero with an exemplary, humanistic disposition, for whom the most important prerequisites for mental health – and for a healthy society in general – are good relationships with other people. He puts his philosophy into practice by listening patiently, giving good advice and organising theatre exercises based on Molière. Realism and idealism, however, are in balance for the young doctor, at least as long as the institutional framework holds up.
A day in the life of Azucena, who is running out of time to keep herself and her family from being evicted; Rafael, a lawyer who sets out to reunite a mother with her daughter; and Teodora, a sick old woman who searches for her long-lost son before it is too late.
Obsessively referring to the traumas and wounds that the Spanish civil war (1936-39) and Franco's dictatorship (1939-75) caused in their day no longer serves to explain the impassable abyss of incomprehension and hatred that the abject policies and radical positions adopted by both the right and the left in recent decades have opened up before the citizens of a country that is barely known beyond hackneyed cultural clichés.
Stacey Dooley looks at three countries in the aftermath of the economic crisis.
Adolf Hitler (1889-1945) was a mediocre who rose to power because of the blindness and ignorance of the Germans, who believed he was nothing more than an eccentric dreamer. But when the crisis of 1929 devastated the economy, the population, fearful of chaos and communism, voted for him. And no one defended democracy. As the dictatorship extended its relentless shadow, the leader claimed peace, but was preparing the Apocalypse.
Deng Xiaoping's economic and political opening in China. Margaret Thatcher's extreme economic measures in the United Kingdom. Ayatollah Khomeini's Islamic Revolution in Iran. Pope John Paul II's visit to Poland. Saddam Hussein's rise to power in Iraq. The Soviet invasion of Afghanistan. The nuclear accident at the Harrisburg power plant and the birth of ecological activism. The year 1979, the beginning of the future.
A crew of savvy former strip club employees band together to turn the tables on their Wall Street clients.
In 1991, the USSR is falling apart and Cuba enters its hardest economic crisis. Sergio, a professor of Marxism who can't provide for his family, and Sergei, a Soviet cosmonaut stranded in the Mir space station, share a common passion: amateur radio. Through this hobby, both men will be able to help each other in facing the dramatic changes of their countries.
Only one week left until South Korea will go under sovereign default. Han Shi-hyun is a leader of the monetary policy team at the Bank of Korea. and is assigned to a crisis team.
A brother and sister embark on a journey to retrieve an inheritance from their grandmother in the wake of economic collapse and impending apocalypse.
Ainhoa is 8 years old and has left home with her school bag, a Playmobil figure and a secret plan.
Pushed by the fear of losing her friends, Silvia has invited them to a sleepover. But things can be complicated when your home is not exactly what your friends may call a home...
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